Approaches to Music Research: Between Practice and Epistemology

Author:   Leon Stefanija ,  Nico Schüler
Publisher:   Peter Lang AG
Edition:   New edition
Volume:   6
ISBN:  

9783631592007


Pages:   252
Publication Date:   09 June 2011
Format:   Hardback
Availability:   In Print   Availability explained
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Approaches to Music Research: Between Practice and Epistemology


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Full Product Details

Author:   Leon Stefanija ,  Nico Schüler
Publisher:   Peter Lang AG
Imprint:   Peter Lang AG
Edition:   New edition
Volume:   6
Dimensions:   Width: 14.80cm , Height: 2.00cm , Length: 21.00cm
Weight:   0.420kg
ISBN:  

9783631592007


ISBN 10:   3631592000
Pages:   252
Publication Date:   09 June 2011
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Kevin Korsyn: The Aging of the New Musicology – Marie-Agnes Dittrich: Reply to Kevin Korsyn, Including Remarks on Musicology and «Musiktheorie» in Germany and Austria in Times of the Bologna Process and of Knowledge Evaluation – Christian Bielefeldt: A Reply to Kevin Korsyn’s «The Aging of New Musicology» – Kordula Knaus: A Reply to Kevin Korsyn’s «The Aging of New Musicology» – Leon Stefanija: Outside of Musicology – Nico Schüler: From Interdisciplinarity to ‘Perspectivism’ in Music Research – Matjaž Barbo: Music as a Metaphor? – Peter Wicke: From Schizophonia to Paraphonia: On the Epistemological and Cultural Matrix of Digitally Generated Pop Sounds – Lubomír Spurný: Semiology in Music and Art: Czech Music Semiology – Dalibor Davidović: Interception – Katarina Habe: Current Issues and Trends in the Psychology of Music in Slovenia – Jasmina Talam/Tamara Karača-Beljak: Ethnomusicological Research and Fieldwork Methodology: Experience in Bosnia and Herzegovina – Gregor Pompe: Musical Analysis and/or Interpretation - The Case of Opera – Audra Versekėnaitė: Between Borrowing and Intertextuality: The Dies Irae in Twentieth Century Music – Ivana Perković Radak: Approaches to Serbian Orthodox Music: A Case Study of Stevan Stojanović Mokranjac’s Complete Works – Tijana Popović Mladjenović: The Possibility and Purpose of Disciplinary Intersections and Permeations: The Case Study of Reger’s Variationen und Fuge über ein Thema von Joh. Seb. Bach for Piano, Op. 81 – M. J. Grant: Whatever happened to Crazy Jane? – Ira Prodanov Krajišnik: Free Religious Music in Serbia and its Social Context – Marija Masnikosa: Formalism and Contextualism in Contemporary Musicology: Why Could it not be a ‘Joint Venture’? A Case Study – Vesna Mikić: Romantic Notions in the Popular Music Discourses: Several Examples from Serbia – Manfred Heidler: Military Music in the Bundeswehr: Some Remarks Concerning the Interdisciplinary Discourse on Manifestations of «Music in Uniform» – J. Daniel Jenkins: Erwin Stein’s ‘New Formal Principles’ and the Analysis of Schoenberg’s Atonal Period Music – Barbara Smolej Fritz: Processes of Self-Regulation in Music Learning: Between Theory and Practice – Lasanthi Manaranjanie Kanlinga Dona: Music Therapy: Sri Lankan Approaches – Dennis Cole: Transcribing Franco’s Alimatou: An Illustration of the Soukous Form, Its Sebene and Mi-solo Guitar.

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Author Information

Leon Stefanija is Associate Professor of Musicology at the University of Ljubljana (Slovenia). Nico Schüler is Professor of Music Theory and Musicology at Texas State University (USA).

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