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Author:   Anna Bellavitis ,  Valentina Sapienza
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.320kg
ISBN:  

9781032053516

ISBN 10:   1032053518
Pages:   288
Publication Date:   10 February 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Introduction / Apprenticeship, society and economy in early modern Europe The apprenticeship of artists during the Renaissance: a bibliographical note / From Archival Sources to Structured Historical Information: Annotating and Exploring the ""Accordi dei Garzoni"" / Normalisation and Classification of Trade and Craft Names: a History of Venetian professionsFrom documentary sources to geographical entities. Premises for a geography of apprenticeship in early modern period / A data set for historians The ""Accordi dei garzoni"": the origin and evolution of the apprenticeship contract in Venice / The ‘unregulated’ apprenticeship of Venetian mercers (16th-17th c.) / Apprenticeship, training and work in the Venetian inns and ""bastion"" (16th-18th centuries)Data analysis and case studies about the professions of the ""Fraglia""Fathers, sons and apprentices in the Goldsmiths’ and Jewellers' Guild (16th-18th c.) / Conclusion"

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Author Information

Anna Bellavitis is Professor of Early Modern History and Director of the History Research Group (GRHIS UR 3831) at the University of Rouen, France. She has published extensively on gender and family history and on labour and urban history, and has directed numerous international research projects in collaboration with European universities and institutions. Her recent publications include Women’s work and rights in Early Modern urban Europe, London, Palgrave Macmillan 2018; What is Work? Gender at the Crossroads of Home, Family and Business from the Early Modern Era to the Present, Oxford, New York, Berghahn Books, 2018, edited with Raffaella Sarti and Manuela Martini. Valentina Sapienza obtained her PhD at the Ca’ Foscari University Venice and at University François Rabelais in Tours in 2011. She was Lecturer at the University of Lille (2012–2018) and since 2018 she has been Associate Professor of Early Modern Art History at Ca’ Foscari University in Venice. She has founded (2019) and directs the Centro Studi RiVe (Centre for Advanced Studies on Renaissance Venice Figurative Culture: www.unive.it/pag/41456). Her research focuses on Venetian Renaissance paintings and in her recent publications we remember La chiesa di San Zulian a Venezia. Dalla ricostruzione sansoviniana alle grandi imprese decorative di fine secolo, Rome, Éditions de l’École française de Rome, 2018.With Anna Bellavitis and Frédéric Kaplan, she was the PI of the international research project GAWS: Garzoni Apprenticeship, Work and Society in Early Modern Venice, 16th–18th centuries.

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