Overview

The end of the world may be upon us, but it certainly is taking its sweet time playing out. The walkers on The Walking Dead have been ""walking"" for nearly a decade. There are now dozens of apocalyptic television shows and we use the ""end times"" to describe everything from domestic politics and international conflict, to the weather and our views of the future. This collection of new essays asks what it means to live in a world inundated with representations of the apocalypse. Focusing on such series as The Walking Dead, The Strain, Battlestar Galactica, Doomsday Preppers, Westworld, The Handmaid's Tale, they explore how the serialization of the end of the world allows for a closer examination of the disintegration of humanity--while it happens. Do these shows prepare us for what is to come? Do they spur us to action? Might they even be causing the apocalypse?

Full Product Details

Author:   Michael G. Cornelius ,  Sherry Ginn
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.10cm , Length: 22.90cm
Weight:   0.277kg
ISBN:  

9781476678757

ISBN 10:   1476678758
Pages:   206
Publication Date:   19 March 2020
Recommended Age:   From 18 years
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

Table of Contents Acknowledgments Introduction: Apocalyptic Saturations; or, The End of the World Will Not Michael G. Cornelius and Sherry Ginn Apocalyptic Television, Hobbes’s Moral Psychology and the Tenuous Nature of Liberal Democratic Values William S. Allen Post-Apocalyptic Competition and Cooperation in The Handmaid’s Tale and The Walking Dead Sherry Ginn The Long Winter of Discontent: The Changing Society of Survivors Fernando-Gabriel Pagnoni Berns, Juan Ignacio Juvé and Emiliano Aguilar Risk Without End? The Seriality of Risk, the Outbreak Narrative and Serial Post-Apocalypse in Guillermo del Toro and Chuck Hogan’s The Strain Sebastian Müller Driven to Extinction, Again: Cadillacs and Dinosaurs and the Irresistible Apocalypse Tony Perrello and C. Anne Engert The End of Everything: Survival Narratives and Everyday Heroism in Battlestar Galactica E. Leigh McKagen Apocalypse(s) Already: Doomsday Preppers at the End of The(ir) Worlds JZ Long Reinvesting in the Rapture: Apocalypse and Faith in The Leftovers Christina Wilkins Social Life and Death in The Leftovers: Surviving the Personal Apocalypse Derek R. Sweet “How many times have I died?”: Time Loops, Post-Human Reversion and the Editable Self in The Magicians Michael G. Cornelius Westworld and the Apocalyptic Cycle Adam Ellerbrock Postnatural Comedy in The Last Man on Earth John Elia Appendix 1: Apocalypse Television Series Appendix 2: “Darkness” Lord Byron About the Contributors Index

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Author Information

Michael G. Cornelius is a professor of English and director of the Master’s of Humanities program at Wilson College in Chambersburg, Pennsylvania. He is an award-winning novelist and the author or editor of numerous scholarly works.. Sherry Ginn is a retired educator currently living in North Carolina. She has authored books examining female characters on science fiction television series as well as the multiple television worlds of Joss Whedon. Edited collections have examined sex in science fiction, time travel, the apocalypse, and the award-winning series Farscape, Doctor Who, and Fringe.

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