|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Leon Rosenstein , Bruce Hansen , Robert L. Dressler , Tom SheehanPublisher: Cornell University Press Imprint: Cornell University Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.907kg ISBN: 9780801447341ISBN 10: 0801447348 Pages: 280 Publication Date: 15 January 2009 Recommended Age: From 18 years Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Awaiting stock ![]() The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you. Table of ContentsReviews"""Rosenstein's Antiques: The History of an Idea is a marvelous surprise, a connoisseur's introduction to a conceptual category, the antique, demonstrably inseparable from the life of the arts, critically important for the philosophy of art, as well as for intelligently informed appreciation, puzzlingly neglected, as subtle and as complex a notion as might be pertinently added at this late date: all brought together in a delightfully informal and meticulous conversation that appears almost incapable of exhausting its fresh examples and distinctions.""- Joseph Margolis, Journal of the History of Philosophy, April 2011 ""Rosenstein has had two careers: philosopher and antiques dealer. The philosopher in Rosenstein makes him reflective about the theory and practice of collecting antiques. He provides an analysis of the concept of an antique, a history of the appreciation of antiques, proposed desiderata of antiques, and ruminations on the cultural significance of antique collecting... The history of connoisseurship is full of fascinating details about collecting from the time of the ancients to the present.""-Choice, September 2009 ""What is an antique? How are antiques related to other objects with which they might be associated, such as antiquities, collectibles, souvenirs, relics, memorabilia, works of art, and fakes (antique-last-week)? What accounts for the enduring value and appeal of antiques? Leon Rosenstein addresses these questions with the analytical acuity of a philosopher, the historical erudition of a scholar, and the practical knowledge that comes of a lifetime immersed in the world of antiques. Antiques: The History of an Idea is a fascinating and welcome treatment of a neglected topic.""-Philip Alperson, Temple University ""Leon Rosenstein's philosophical study of connoisseurship and collecting offers both an authoritative history of the developing idea of an antique from ancient Rome to modern America and an impressively refined analysis of what makes something an antique and the values it thereby accrues. Antiques: The History of an Idea is a book to be savored by philosophical aesthetician and antique collector alike.""-Peter Lamarque, University of York ""Antiques: The History of an Idea examines periods of historical passion for the antique and the different sensibilities they manifest. Leon Rosenstein assembles convincing support for his intriguing thesis about the concept of the antique and the relation of the antique to art; he argues that as ordinary objects age they become more like art inasmuch as they open 'worlds' to the past.""-Carolyn Korsmeyer, University at Buffalo, The State University of New York ""Antiques: The History of an Idea is a lively, informative book: one of those rare discussions of a cultural phenomenon written by someone who knows it from the inside, as a passionate collector, teacher, and philosopher of the antique. This book establishes the antique as worthy of consideration by philosophers of art, culture, and history and also as a potentially rich source for historians of Western philosophy.""-Jack Zupko, Emory University" Rosenstein's Antiques: The History of an Idea is a marvelous surprise, a connoisseur's introduction to a conceptual category, the antique, demonstrably inseparable from the life of the arts, critically important for the philosophy of art, as well as for intelligently informed appreciation, puzzlingly neglected, as subtle and as complex a notion as might be pertinently added at this late date: all brought together in a delightfully informal and meticulous conversation that appears almost incapable of exhausting its fresh examples and distinctions. - Joseph Margolis, Journal of the History of Philosophy, April 2011 Rosenstein has had two careers: philosopher and antiques dealer. The philosopher in Rosenstein makes him reflective about the theory and practice of collecting antiques. He provides an analysis of the concept of an antique, a history of the appreciation of antiques, proposed desiderata of antiques, and ruminations on the cultural significance of antique collecting... The history of connoisseurship is full of fascinating details about collecting from the time of the ancients to the present. -Choice, September 2009 What is an antique? How are antiques related to other objects with which they might be associated, such as antiquities, collectibles, souvenirs, relics, memorabilia, works of art, and fakes (antique-last-week)? What accounts for the enduring value and appeal of antiques? Leon Rosenstein addresses these questions with the analytical acuity of a philosopher, the historical erudition of a scholar, and the practical knowledge that comes of a lifetime immersed in the world of antiques. Antiques: The History of an Idea is a fascinating and welcome treatment of a neglected topic. -Philip Alperson, Temple University Leon Rosenstein's philosophical study of connoisseurship and collecting offers both an authoritative history of the developing idea of an antique from ancient Rome to modern America and an impressively refined analysis of what makes something an antique and the values it thereby accrues. Antiques: The History of an Idea is a book to be savored by philosophical aesthetician and antique collector alike. -Peter Lamarque, University of York Antiques: The History of an Idea examines periods of historical passion for the antique and the different sensibilities they manifest. Leon Rosenstein assembles convincing support for his intriguing thesis about the concept of the antique and the relation of the antique to art; he argues that as ordinary objects age they become more like art inasmuch as they open 'worlds' to the past. -Carolyn Korsmeyer, University at Buffalo, The State University of New York Antiques: The History of an Idea is a lively, informative book: one of those rare discussions of a cultural phenomenon written by someone who knows it from the inside, as a passionate collector, teacher, and philosopher of the antique. This book establishes the antique as worthy of consideration by philosophers of art, culture, and history and also as a potentially rich source for historians of Western philosophy. -Jack Zupko, Emory University <p> Rosenstein's Antiques: The History of an Idea is a marvelous surprise, a connoisseur's introduction to a conceptual category, the antique, demonstrably inseparable from the life of the arts, critically important for the philosophy of art, as well as for intelligently informed appreciation, puzzlingly neglected, as subtle and as complex a notion as might be pertinently added at this late date: all brought together in a delightfully informal and meticulous conversation that appears almost incapable of exhausting its fresh examples and distinctions. - Joseph Margolis, Journal of the History of Philosophy, April 2011 Author InformationLeon Rosenstein is Emeritus Professor of Philosophy at San Diego State University and past president of the Classical Alliance of the Western States. He has been an antiques dealer since 1985. Tab Content 6Author Website:Countries AvailableAll regions |