Overview

For core courses in undergraduate music theory, undergraduate and graduate music analysis courses, and courses in Twentieth-Century music. An anthology text for students of music with selections that are both high in quality and pedagogically valuable for classroom use. This anthology combines the benefits of an excerpt book with emphasis on whole pieces of music.

Full Product Details

Author:   Stefan Kostka ,  Roger Graybill
Publisher:   Pearson Education (US)
Imprint:   Pearson
Dimensions:   Width: 21.60cm , Height: 2.50cm , Length: 27.90cm
Weight:   1.270kg
ISBN:  

9780130915443

ISBN 10:   0130915440
Pages:   624
Publication Date:   18 September 2003
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Out of Print
Availability:   In Print  
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

Table of Contents

Archangelo Corelli (1653-1713). Concerto Grosso, Op. 6, No. 8, Vivace-Grave, Allegro, Adagio-Allegro-Adagio, Vivace, Allegro, Largo. Henry Purcell (1659-1695). “Sound the Trumpet” from Come, Ye Sons of Art. Georg Philipp Telemann (1681-1767). Trio Sonata in E Minor, Movement II (Dolce). Johann Sebastian Bach (1685-1750). Suite No. 1 for Solo Violoncello, Prelude, Sarabande, Gigue. French Suite No. 1, Menuet II. French Suite No. 5, Gavotte. French Suite No. 6, Polonaise. Invention No. 2 in C Minor. Well Tempered Clavier, Book I, Fugue 6 in D Minor, Fugue 7 in Eb Flat Major, Fugue 16 in G Minor. Well Tempered Clavier, Book II, Prelude 2 in C Minor, Fugue 2 in C Minor, Fugue 5 in D Major. Chorale Prelude, “Non komm, der Heiden Heiland.” Chorale Prelude, “Das alte Jahr vergangen ist.” Partita on “Sei gegrüsset, Jesu gütig,” Chorale, Variation 1, Variation 2, Variation 4, Variation 7. Chorale Harmonization #110, “Vater unser im Himmelreich,” Chorale Harmonization #126, “Durch Adams Fall ist ganz verderbt,” Chorale Harmonization #170, “Non komm, der Heiden Heiland.” George Frideric Handel (1685-1759). Suite No. 4 in E Minor, Courante. Suite No. 7, Passacaille. Joseph Haydn (1732-1809). Piano Sonata No. 35 in C Major, Movement III (Allegro). Piano Sonata No. 41 in B Flat Major, Movement I (Allegro). “London” Trio No. 1 in C Major, Hob. IV, 1, Movement I (Allegro moderato). String Quartet, in C Major, Op. 74, No. 1, Movement III (Allegretto). Symphony No. 100 in G Major, Movement I (Adagio-Allegro). The Creation, No. 24, “And God Created Man,” No. 25, “In Native Worth.” Anna Bon (1739-?). Divertimento in G Major, Op. 3, No. 1, I (Adagio). Wolfgang Amadeus Mozart (1756-1791). Piano Sonata in A Minor, K. 310, Allegro maestoso, Andante cantabile con espressione, Presto. Variations on “Unser dummer Pöbel meint,” K. 455. String Quartet in B Flat Major, K. 458, Allegro vivace assai, Moderato, Adagio, Allegro assai. Piano Concerto in B Flat Major, K. 450, Movement I (Allegro). The Magic Flute, “Bei Mannern,” “March of the Priests,” “O Isis und Osiris.” Don Giovanni, Recitative: “In quali eccessi, o Numi,” Aria: “Mi tradi quell' alma ingrata.” Ludwig von Beethoven (1770-1827). Piano Sonata in A Major, Op. 2, No. 2, Allegro vivace, Largo appassionato, Allegreto, Grazioso. Piano Sonata in G Major, Op. 14, No. 2, Movement I (Allegro). Piano Sonata in G Major, Op. 31, No. 1, Movement III (Allegretto). Piano Sonata in D Minor, Op. 31, No. 2, Movement I (Largo-Allegro). Bagatelle, Op. 119, No. 1. Sonata in F Major for Horn and Piano, Op. 17, Movement I (Allegro moderato). String Quartet in F Minor, Op. 95, Movement I. Franz Schubert (1797-1828). Erlkönig. Winterreise, “Auf dem Flusse.” Waltzes, Op. 9a, No. 1, No. 2, No. 3, No. 4, No. 5, No. 6. Moments musicaux, Op. 94, No. 6. Impromptu in G Flat Major, Op. 90, No. 3. Mass in G, Kyrie, Sanctus. Fanny Mendelssohn Hensel (1809-1847). “Gondellied,” Op. 1, No. 6. Felix Mendelssohn (1809-1847). Song Without Words, Op. 19, No. 1. “Gondellied.” Frédéric Chopin (1810-1849). Mazurka in A Minor, Op. 7, No. 2. Mazurka in B Flat Major, Op. 17, No. 1. Mazurka in B Minor, Op. 30, No. 2. Mazurka in C Major, Op. 33, No. 3. Preludes, Op. 28, Prelude No. 1 in C Major, Prelude No. 4 in E Minor, Prelude No. 7 in A Major, Prelude No. 13 in F Sharp Major, Prelude No. 17 in A Flat Major, Prelude No. 24 in D Minor. Grande Valse Brillante, Op. 34, No. 2. Nocturnes, Op. 48, No. 1 in C Minor, No. 2 in F Sharp Minor. Robert Schumann (1810-1856). Dichterliebe, Op. 48, “Am leuchtenden Sommermorgen.” “Widmung.” Carnaval, Op. 9, “Chiarina,” “Aveu.” Album for the Young, Op. 68, No. 2 “Soldatenmarsch,” No. 16, “Erster Verlust,” No. 28, “Erinnerung.” Franz Liszt (1811-1886). Blume und Duft. Nuages Gris. Richard Wagner (1813-1883). Prelude to Lohengrin, Act I. Clara Wieck Schumann (1819-1896). Romance, Op. 11, No. 2. Anton Bruckner (1824-1896). Mass in E Minor, “Kyrie.” Johannes Brahms (1833-1897). Variations on a Theme by Robert Schumann, Op. 9, Theme, Variation 2, Variation 10, Variation 14. Waltzes, Op. 39, No. 2 in E Major, No. 12 in E Major. Intermezzo, Op. 119. No. 2 in E Minor. Sonata No. 2 for Clarinet and Piano, Op. 120, No. 2, Movement I (Allegro amabile). “Liebestreu,” Op. 3, No. 1. “Wenn du nur zuweilen lächelst,” Op. 57, No. 2. Edvard Grieg (1843-1907). “Schmetterling,” Op. 43, No. 1. “An der Wiege,” Op. 68, No. 5. Hugo Wolf (1860-1903). “Anakreon's Grab.” Gustav Mahler (1860-1911). “Wenn mein Schatz Hochzeit macht” from Lieder eines fahrenden Gesellen. (“When my Sweetheart has her Wedding” from Songs of a Wayfarer.) Richard Strauss (1864-1949). “Morgen,” Op. 27, No. 4. Claude Debussy (1862-1918). Preludes, Book I, Des pas sur la neige, Les collines d'Anacapri. Preludes, Book II, Canope. Arnold Schoenberg (1874-1951). Six Little Piano Pieces, Op. 19, No. 2, No. 6. “Tot,” No. 2 from Drei Lieder, Op. 48. Charles Ives (1874-1954). “The Things Our Fathers Loved.” Maurice Ravel (1875-1937). “Menuet sur le nom d'Haydn.” Béla Bartók (1881-1945). Three Pieces from Mikrokosmos, Pentatonic Melody (Vol. 2, No. 61), Tale (Vol. 3, No. 94), Dance in Bulgarian Rhythm (Vol. 6, No. 152). String Quartet No. 5: Second Movement. Igor Stravinsky (1882-1971). Petrushka, First Tableaux (excerpt). “Do not go gentle,” from In Memoriam Dylan Thomas. Anton Webern (1883-1945). Five Movements for String Quartet, Op. 5, Movement III (Sehr bewegt). Concerto, Op. 24, Movement II (Sehr langsam). Alban Berg (1885-1935). “Nun ich der Riesen Stärksten,” No. 3 from Vier Lieder, Op. 2. Lili Boulanger (1893-1918). Ell était descendue au bas de la prairie,” No. 1 from Clairières dans le ciel. Paul Hindemith (1895-1963). Trumpet Sonata, Movement I (Mit Kraft). William Grant Still (1895-1978). “Woven Silver” from Seven Traceries. Francois Poulenc (1899-1963). Mouvement Perpetuel No. 1. “Violon” from Fiançailles pour Rire. Ruth Crawford Seeger (1901-1953). String Quartet, “1931,” Movement III (Andante). Luigi Dallapiccola (1904-1975). “Linee” from Quaderno Musicale (1952). Dmitry Shostakovich (1906-1975). String Quartet No. 3, Movement I (Allegretto). Olivier Messiaen (1908-1992). Quartet for the End of Time, Movement 7 (Réveur, presque lent). Benjamin Britten (1913-1973). Pastorale from Serenade for Tenor Solo, Horn, and Strings, Op. 31. George Rochberg (1918-). String Quartet No. 3, Movement I. György Ligeti (1923-) Sonata for Solo Viola, Movement V (Tempo giusto, intenso e barbaro). George Crumb (1929-). “Voices from Corona Borealis,” No. 10 from Makrokosmos, Vol. II. Sofia Gubaidulina (1931-). Concerto for Bassoon and Low Strings, Movement IV. Arvo Pärt (1935-). “O König aller Völker” from Magnificat Antiphons. John Corigliano (1938-). Fantasia on an Ostinato. John Tavener (1944-). “Lament of the Mother of God at the Cross,” from The Protecting Veil.

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Author Information

Stefan Kostka teaches at the University of Texas at Austin. He is the author of books on tonal harmony and music of the twentieth century. Roger Graybill teaches at the New England Conservatory. He has published articles on rhythm, the music of Brahms, and theory pedagogy.

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