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Full Product Details

Author:   Richard Freedman (Haverford College) ,  Walter Frisch (Columbia University)
Publisher:   WW Norton & Co
Imprint:   WW Norton & Co
Dimensions:   Width: 18.00cm , Height: 1.00cm , Length: 23.10cm
Weight:   0.309kg
ISBN:  

9780393920192

ISBN 10:   0393920194
Pages:   192
Publication Date:   08 January 2013
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock  
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Luca Marenzio, Liquide perle  Johannes Ciconia, Doctorum principem  Thomas Morley, Miraculous love’s wounding  Guillaume Du Fay, Par le regart  Antoine Busnoys, Ja que li ne s’i attende  Jacob Obrecht, Missa de Sancto Donatiano, Kyrie  John Dunstable, Quam pulchra es  Anonymous, There is no rose  Guillaume Du Fay, Supremum est mortalibus  Guillaume Du Fay, Missa L’homme armé, Agnus Dei  Josquin des Prez, Missa L’homme armé super voces musicales, Kyrie  John Wilbye, Draw on, sweet Night  Bartolomeo Tromboncino, Ostinato vo’ seguire  Josquin des Prez, Ave Maria . . . virgo serena  Josquin des Prez (?), Mille regrets  Clément Janequin, Martin menoit  Jacques Arcadelt, Il bianco e dolce cigno  Adrian Willaert, Madonna mia famme bon’offerta  William Byrd, Ave verum corpus  Jean Lhéritier, Nigra sum  Giovanni Pierluigi da Palestrina, Missa Nigra sum: Credo  Thomas Tallis, Why fumeth in sight  Giovanni Bassano, Divisions on Orlando di Lasso, Susane un jour  Diego Ortiz, Recercada ottava  Fabrizio Dentice, Fantasia  Claudio Monteverdi, Sfogava con le stelle  Carlo Gesualdo, O vos omnes, from Tenebrae for Holy Week

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Author Information

Richard Freedman is John C. Whitehead Professor of Humanities at Haverford College. His writings include a book, The Chansons of Orlando di Lasso and Their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France, and articles in numerous publications, including The Musical Quarterly, Music and Letters, and The New Grove Dictionary of Music. He is the recipient of grants from the National Endowment for the Humanities, the American Council of Learned Societies, and the Mellon Foundation. Walter Frisch is H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University. He is the author of numerous books and articles, including Brahms: The Four Symphonies, The Early Works of Arnold Schoenberg 1903–1908, and German Modernism: Music and the Arts. He is the recipient of two ASCAP-Deems Taylor Awards and fellowships from the National Endowment for the Humanities, the Alexander von Humboldt Foundation, and the Center for Scholars and Writers at the New York Public Library.

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