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Full Product Details

Author:   Wendy Heller (Princeton University) ,  Walter Frisch (Columbia University)
Publisher:   WW Norton & Co
Imprint:   WW Norton & Co
Dimensions:   Width: 18.00cm , Height: 1.50cm , Length: 23.10cm
Weight:   0.477kg
ISBN:  

9780393920208

ISBN 10:   0393920208
Pages:   304
Publication Date:   29 October 2013
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock  
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

"Claudio Monteverdi, ""O Mirtillo"" from Fifth Book of Madrigals Giulio Caccini, ""Dovrò dunque morire"" from Le nuove musiche John Dowland, ""Flow, my tears"" from The Second Booke of Songs or Ayres  Claudio Monteverdi, ""Tu se' morta"" and ""Ahi, caso acerbo"" from L’Orfeo Claudio Monteverdi, Lamento della ninfa, from Madrigali guerrieri et amorosi Girolamo Frescobaldi, Toccata No. 2, from Toccate e partite d'intavolatura di cimbalo, Book 1 Dario Castello, Sonata No. 2 from Sonate concertate in stil moderno, Book 2 Johann Jacob Froberger, Suite in C major, FbWV 612, from Libro quarto di toccate, ricercari, capricci, allemande, gigue, courante, sarabande Claudio Monteverdi, ""Duo seraphim"" from Vespro della Beata Vergine (1610) Heinrich Schütz, ""Fili mi, Absalon"" SWV 269, from Symphoriae sacrae, Book 1 Giacamo Carissimi, ""Plorate colles"" from Jephte Francesco Cavalli, ""Infelice, ch'ascolto?"" from Giasone Jean-Baptiste Lully, ""Le perfide Renaud me fuit"" from Armide Henry Purcell, ""What ho!"" and ""What power are thou"" from King Arthur Antonio Vivaldi, Concerto for Viola d'amore and Lute, RV 540: Movement 1, Allegro Barbara Strozzi, ""Begli occhi"" from Cantate, ariette, Op. 3 Arcangelo Corelli, Violin Sonata in A Major, Op. 5, No. 9 François Couperin, La ténébreuse and Les moissonneurs from Pièces de clavessin Jean-Philippe Rameau, ""A l'aspect de ce nuage"" from Platée Dieterich Buxtehude, Ad cor: Vulnerasti cor meum from Membra Jesu nosti, BuxWV 75 Georg Philipp Telemann, Ouverture burlesque de Quixotte, TWV 55:G10 Heinrich Ignaz Franz von Biber, Crucifixion Sonata from the Mystery Sonatas George Frideric Handel, Rinaldo, HWV 7a: Act 1, scenes 6, 7, and 9 George Frideric Handel, Saul, HWV 53: Act 1, scene 3 Johann Sebastian Bach, St. John Passion, BWV 245: Part 2, nos. 37-32 Johann Sebastian Bach, Contrapuncti 1 and 7 from The Art of Fugue, BWV 1080"

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Author Information

Wendy Heller is Professor of Music and Director of the Program in Italian Studies at Princeton University. She is the author of Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice and articles published in the Journal of the American Musicological Society, Early Music, and Music & Letters. Heller’s writings have received awards from the American Musicological Society and the Society for the Study of Early Modern Women, and she has received grants from the National Endowment for the Humanities and the American Council of Learned Societies. Walter Frisch is H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University. He is the author of numerous books and articles, including Brahms: The Four Symphonies, The Early Works of Arnold Schoenberg 1903–1908, and German Modernism: Music and the Arts. He is the recipient of two ASCAP-Deems Taylor Awards and fellowships from the National Endowment for the Humanities, the Alexander von Humboldt Foundation, and the Center for Scholars and Writers at the New York Public Library.

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