Antagonistic Cooperation: Jazz, Collage, Fiction, and the Shaping of African American Culture

Awards:   Commended for Historical Nonfiction Legacy Award, Hurston / Wright Foundation 2023 Commended for Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History Society 2023 Winner of Columbia University Press Distinguished Book Award 2023
Author:   Robert O'Meally (Columbia University)
Publisher:   Columbia University Press
ISBN:  

9780231189194


Pages:   296
Publication Date:   15 March 2022
Format:   Paperback
Availability:   Out of stock   Availability explained
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Antagonistic Cooperation: Jazz, Collage, Fiction, and the Shaping of African American Culture


Awards

  • Commended for Historical Nonfiction Legacy Award, Hurston / Wright Foundation 2023
  • Commended for Pauli Murray Book Prize in Black Intellectual History, African American Intellectual History Society 2023
  • Winner of Columbia University Press Distinguished Book Award 2023

Overview

Full Product Details

Author:   Robert O'Meally (Columbia University)
Publisher:   Columbia University Press
Imprint:   Columbia University Press
ISBN:  

9780231189194


ISBN 10:   0231189192
Pages:   296
Publication Date:   15 March 2022
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Acknowledgments Introduction 1. This Music Demanded Action: Ellison, Armstrong, and the Imperatives of Jazz 2. We Are All a Collage: Armstrong’s Operatic Blues, Bearden’s Black Odyssey, and Morrison’s Jazz 3. The “Open Corner” of Black Community and Creativity: From Romare Bearden to Duke Ellington and Toni Morrison 4. Hare and Bear: The Racial Politics of Satchmo’s Smile 5. The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished Coda Notes Index

Reviews

Ever lively and cautiously optimistic, Antagonistic Cooperation is a moving revival of jazz-democracy discourse in downbeat times. O'Meally passes on a lifetime of tales and insights, vivid and learned, revealing rhymes among Black music, African American writing, and American political thought. -- William J. Maxwell, author of <i>F. B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature</i>


Embrace disturbs. Accompaniment unsettles. Musically, Robert O'Meally tells us that black visual and literary art always tell us that black music always tells us this with love. O'Meally's generously receptive perception is attuned to collage's rich austerities. In showing that antagonistic cooperation is our program, Antagonistic Cooperation is a wonder! -- Fred Moten Robert O'Meally's interdisciplinary brilliance shines throughout the pages of Antagonistic Cooperation. Here he brings a lifetime of reading, listening, looking, learning, and leading to bear upon extraordinary works by America's most innovative artists, among them Romare Bearden, Louis Armstrong, Toni Morrison, and Ralph Ellison. His luminous prose and clear analysis make this book itself a contribution to the body of work under consideration. An extraordinary accomplishment. -- Farah Jasmine Griffin, author of <i>Read Until You Understand: The Profound Wisdom of Black Life and Literature</i> Ever lively and cautiously optimistic, Antagonistic Cooperation is a moving revival of jazz-democracy discourse in downbeat times. O'Meally passes on a lifetime of tales and insights, vivid and learned, revealing rhymes among Black music, African American writing, and American political thought. -- William J. Maxwell, author of <i>F. B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature</i> In a masterful manner befitting his decades at the helm of the New Jazz Studies, Robert O'Meally in Antagonistic Cooperation narrates the contrapuntal encounters that have provided the dynamic tension driving African American arts forward. What O'Meally makes profoundly clear is that artistic energy is uncontainable, that great artists are uncategorizable, and that conflict is not something to fear; when understood in its highest aspect, it is the key to evolution and transcendence within the polyphony and polyrhythm of human life. -- Michael E. Veal, Henry L. and Lucy G Moses Professor of Music, Yale University


Author Information

Robert G. O’Meally is the Zora Neale Hurston Professor of English and Comparative Literature at Columbia University, where he is also founder and director of the Center for Jazz Studies. He is the author of Lady Day: The Many Faces of Billie Holiday (1989); editor of The Jazz Cadence of American Culture (Columbia, 1998); and coeditor of Uptown Conversations: The New Jazz Studies (Columbia, 2004), among many other books.

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