Awards
- Winner of Anime’s Media Mix 2013
Overview
In Anime's Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Beyond its immediate form of cartooning, anime is also a unique mode of cultural production and consumption that led to the phenomenon that is today called 'media mix' in Japan and 'convergence' in the West. According to Steinberg, both anime and the media mix were ignited on January 1, 1963, when Astro Boy hit Japanese TV screens for the first time. Sponsored by a chocolate manufacturer with savvy marketing skills, Astro Boy quickly became a cultural icon in Japan. He was the poster boy (or, in his case, 'sticker boy') both for Meiji Seika's chocolates and for what could happen when a goggle-eyed cartoon child fell into the eager clutches of creative marketers. It was only a short step, Steinberg makes clear, from Astro Boy to Pokemon and beyond. Steinberg traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed--and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello Kitty, and Suzumiya Haruhi.
Full Product Details
Author: Marc Steinberg
Publisher: University of Minnesota Press
Imprint: University of Minnesota Press
Dimensions:
Width: 14.00cm
, Height: 2.30cm
, Length: 21.60cm
Weight: 0.408kg
ISBN: 9780816675500
ISBN 10: 0816675503
Pages: 304
Publication Date: 23 February 2012
Audience:
General/trade
,
General
Format: Paperback
Publisher's Status: Active
Availability: Temporarily unavailable
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Reviews
Marc Steinberg opens up brave new possibilities for the study of global media cultures. Attending to the watershed years of Japan s 1960s and the ascendance of televisual animation he details how entire commodity regimes came to circulate around the idea of the anime character. Original and timely, historically dense and theoretically acute, Anime s Media Mix definitively teaches us that anime can no longer be thought outside the networks of its transmediation. Marilyn Ivy, Columbia University
Marc Steinberg opens up brave new possibilities for the study of global media cultures. Attending to the watershed years of Japan's 1960s and the ascendance of televisual animation he details how entire commodity regimes came to circulate around the idea of the anime character. Original and timely, historically dense and theoretically acute, Anime's Media Mix definitively teaches us that anime can no longer be thought outside the networks of its transmediation. --Marilyn Ivy, Columbia University
<p> Marc Steinberg opens up brave new possibilities for the study of global media cultures. Attending to the watershed years of Japan's 1960s and the ascendance of televisual animation he details how entire commodity regimes came to circulate around the idea of the anime character. Original and timely, historically dense and theoretically acute, Anime's Media Mix definitively teaches us that anime can no longer be thought outside the networks of its transmediation. --Marilyn Ivy, Columbia University
Author Information
Marc Steinberg is assistant professor of film studies at Concordia University.
