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OverviewHow have animation fans in Japan, South Korea, the United States, and Canada formed communities and dealt with conflicts across cultural and geographic distance? This book traces animation fandom from its roots in early cinema audiences, through mid-century children's cartoon fan clubs, to today's digitally-networked transcultural fan cultures. Full Product DetailsAuthor: S. AnnettPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2014 Dimensions: Width: 14.00cm , Height: 1.40cm , Length: 21.60cm Weight: 3.406kg ISBN: 9781349502752ISBN 10: 1349502758 Pages: 253 Publication Date: 19 December 2015 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of Contents"Introduction: Frictive Pictures PART I: ANIMATION AND THE MIRACULOUS CINEMA 1. Cartoon Internationale 2. World War Cute PART II: AFTER THESE MESSAGES: TELEVISION ANIMATION IN THE AGE OF ""POSTS"" 3. Kid Vid: Children and Science Fiction TV Fandom 4. Channel Surfers: Cowboy Bebop's Postnational Fans PART III: ONLINE CONVERSATIONS ACROSS DIFFERENCE 5. ""Love at First Site"" 6. World Conflict/World Conference: Axis Powers Hetalia Conclusion: ""Adding To"" Transcultural Animation Fan Communities"ReviewsAnnett grapples with what it truly means to be a fan. What are the 'complex flows and frictions' that propel certain shows to transcultural popularity? And what kind of world is it where teenage girls can be overheard describing the Holy Roman Empire as 'cute'? Annett watches the watchers, and examines the forces that create their subculture. - Jonathan Clements, author of Anime: A History This expansive and imaginative study of anime and fan communities takes on really big questions - and succeeds in whittling them down to size, steadily paring away the macrological framework of national histories, cultures, and territories, to expose the complex grain and weave of interactions between fans and animations. Annett generates new awareness of the challenges and possibilities of media environments by honing in on the key question: what can we do with animation? - Thomas Lamarre, McGill University, Canada """Annett grapples with what it truly means to be a fan. What are the 'complex flows and frictions' that propel certain shows to transcultural popularity? And what kind of world is it where teenage girls can be overheard describing the Holy Roman Empire as 'cute'? Annett watches the watchers, and examines the forces that create their subculture."" - Jonathan Clements, author of Anime: A History ""This expansive and imaginative study of anime and fan communities takes on really big questions - and succeeds in whittling them down to size, steadily paring away the macrological framework of national histories, cultures, and territories, to expose the complex grain and weave of interactions between fans and animations. Annett generates new awareness of the challenges and possibilities of media environments by honing in on the key question: what can we do with animation?"" - Thomas Lamarre, McGill University, Canada" Author InformationSandra Annett is Assistant Professor in the Department of English and Film Studies at Wilfrid Laurier University, Canada. Tab Content 6Author Website:Countries AvailableAll regions |
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