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Author:   Sarah Bezan ,  Robert McKay
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367655129

ISBN 10:   0367655128
Pages:   280
Publication Date:   30 November 2021
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Animal Remains: An Introduction Sarah Bezan and Robert McKay I. Fossil Figurations J.G. Ballard’s Fossil Imaginaries: Apocalypse, Deep Time and Deathly Life Peter Sands Photographing Dead Animals: Taphonomy as Embedded Media Ana María Gómez López II. Extinction Futures Snail Trails: A Foray into Disappearing Worlds, Written in Slime Thom van Dooren Making Specimens Sacred: Putting the Bodies of Solitario Jorge and Cụ Rùa on Display Gitte Westergaard and Dolly Jørgensen A Tale of Two Bucardo: Laña, Celia, and the Contested Meanings of Animal Remains Adam Searle III. The Political Cultural Lives of Animal Remains Beef, Bull and Ballyhoo: America’s Cattle-Cinema Complex Michael Lawrence Read Meat Robert McKay Le Voreux: Scenes of Animal Labour in Émile Zola’s Germinal Dinesh Wadiwel IV. Empire, Colony: Animal Remains as Infrastructure Making Cows Live: Bovine Remains and the Rise of Hindu Nationalism Sundhya Walther Before The Thing: Viruses, Sled Dogs, Seabirds, and Science Fiction Lucinda Cole V. Ethics and Affects: Mourning Animal Remains Between Data and Affect: Interspecific Accommodation in the Models of Art Mark Wilson and Bryndis Snæbjörnsdóttir Up in Smoke: Cremation, Mourning, and the Afterdeaths of Bodily Remains for Companion Animals Jane Desmond Fish Market, Lagos: Artist Pages and Supporting Statement Steve Baker

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Author Information

Sarah Bezan is Postdoctoral Research Associate in Perceptions of Biodiversity Change at The University of York’s Leverhulme Centre for Anthropocene Biodiversity in the UK. Her research focuses on the entangled social and ecological dimensions of species loss and revival in contemporary British, North American, and Australian literature and visual culture. She is currently at work on two book projects: Dead Darwin: Necro-Ecologies in Neo-Victorian Culture (under advance contract with Manchester University Press), along with a second monograph (in progress) that examines species revivalist representations of the woolly mammoth, great auk, dodo, Steller’s sea cow, thylacine, and Pinta Island tortoise. Robert McKay is Professor of Contemporary Literature at the University of Sheffield, where he is Co-director of the Sheffield Animal Studies Research Centre. He has published widely on the politics of species in modern and contemporary literature and film, including the co-edited volumes The Palgrave Handbook of Animals and Literature (Palgrave, 2021) and Werewolves, Wolves and the Gothic (Wales UP, 2017). He is series Co-editor for Palgrave Studies in Animals and Literature and Associate Editor (Literature) for Society & Animals.

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