Animal Perception and Literary Language

Author:   Donald Wesling
Publisher:   Springer Nature Switzerland AG
Edition:   2019 ed.
ISBN:  

9783030049683


Pages:   327
Publication Date:   14 January 2019
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Animal Perception and Literary Language


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Overview

Animal Perception and Literary Language shows that the perceptual content of reading and writing derives from our embodied minds. Donald Wesling considers how humans, evolved from animals, have learned to code perception of movement into sentences and scenes. The book first specifies terms and questions in animal philosophy and surveys recent work on perception, then describes attributes of multispecies thinking and defines a tradition of writers in this lineage. Finally, the text concludes with literature coming into full focus in twelve case studies of varied readings. Overall, Wesling's book offers not a new method of literary criticism, but a reveal of what we all do with perceptual content when we read.

Full Product Details

Author:   Donald Wesling
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   2019 ed.
Weight:   0.585kg
ISBN:  

9783030049683


ISBN 10:   303004968
Pages:   327
Publication Date:   14 January 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Part I: Imbroglios of Humans and Nonhumans.- Part II: Perception, Cognition, Writing.- Part III: Attributes of Animalist Thinking.- Part IV: Animalist Thinking From Lucretius to Temple Grandin.- Part V: Perception and Expectation in Literature.

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Author Information

Donald Wesling is Professor Emeritus of English Literature at UC San Diego, USA. He has published on Wordsworth, John Muir, Edward Dorn, and Bakhtin; on rhyme, meter, and avant-garde prosody; and on how voice and emotion get into writing. 

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