Angels in America at the British National Theatre: Premiere, Revival and Transatlantic Legacy, 1993-2018

Author:   Emily Garside
Publisher:   McFarland & Co Inc
ISBN:  

9781476675473


Pages:   219
Publication Date:   28 October 2022
Recommended Age:   From 18 years
Format:   Paperback
Availability:   Available To Order   Availability explained
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Angels in America at the British National Theatre: Premiere, Revival and Transatlantic Legacy, 1993-2018


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Full Product Details

Author:   Emily Garside
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.10cm , Length: 22.90cm
Weight:   0.295kg
ISBN:  

9781476675473


ISBN 10:   1476675473
Pages:   219
Publication Date:   28 October 2022
Recommended Age:   From 18 years
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Table of Contents Acknowledgments Introduction  1. “Hello and Good Morning”: National Theatre Original Production  2. “Trouble with the Machinery”: Staging Angels  3. Staging AIDS in Angels: Landscape of AIDS Theater  4. The Angel and the Political Moment  5. Angels, AIDS and Theater in Britain  6. Angels Production History, 1994–2017  7. Flying Angels Back to the National  8. Marianne Elliott: Career Highlights and Style  9. “Imagination Can’t Create Anything New, Can It?” On Staging Angels 10. Staging AIDS 2017 11. NT Live 12. Flying Angels Back to New York: Broadway Transfer 2018 13. Making the Characters Contemporary 14. “Beyond Nelly”: Staging Gay Men in 2017 15. Political Theatrical Angels Epilogue: “We Will Be Citizens”: Angels and Representation Chapter Notes References Index

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Author Information

Emily Garside spent a number of years as an academic and lecturer, beginning with her PhD on theatrical responses to the AIDS crisis, and the evolution of LGBTQ theatre. She specializes in Queer Culture Writing. As a journalist, she is a regular contributor for The Queer Review and has written for American Theatre, Slate, BBC and The Stage. She lives in the United Kingdom.

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