Overview
Although medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.
Full Product Details
Author: Lisa Colton
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Weight: 0.453kg
ISBN: 9780367229962
ISBN 10: 036722996
Pages: 204
Publication Date: 07 February 2019
Audience:
College/higher education
,
General/trade
,
Tertiary & Higher Education
,
General
Format: Paperback
Publisher's Status: Active
Availability: In Print
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.
Reviews
Angel Song offers a fresh perspective and a number of exciting new directions in both content and methodology. Colton's research is meticulous and she makes interpretive arguments clearly and persuasively - James Maiello, NABMSBA journal A masterful account of the medieval history of English music - James Cook, Music and Letters, 2017 Colton shows how a re-evaluation of primary source material can chip away at long-held assumptions about English music and medieval musical culture - Samantha Blickhan, Early Music, 2018 Angel Song is as much a book about the practice of musicology as it is about one specific musicological topic, and will prove to be an invaluable learning text for young scholars working on medieval sources, no matter what their provenance may be - Samantha Blickhan, Early Music, 2018
"""Angel Song offers a fresh perspective and a number of exciting new directions in both content and methodology. Colton’s research is meticulous and she makes interpretive arguments clearly and persuasively"" - James Maiello, NABMSBA journal ""A masterful account of the medieval history of English music"" - James Cook, Music and Letters, 2017 ""Colton shows how a re-evaluation of primary source material can chip away at long-held assumptions about English music and medieval musical culture"" - Samantha Blickhan, Early Music, 2018 ""Angel Song is as much a book about the practice of musicology as it is about one specific musicological topic, and will prove to be an invaluable learning text for young scholars working on medieval sources, no matter what their provenance may be"" - Samantha Blickhan, Early Music, 2018 ""Angel song constitue à la fois un bilan historiographique précieux et un enrichissement du regard porté sur la musique anglaise débarrassé des questions nationalistes passées."" — Hugo Perina, Sehepunkte, 2021"
Author Information
Lisa Colton is a Senior Lecturer in Music at the University of Huddersfield, where she is also director of the Centre for the Study of Music, Gender and Identity. Her research interests focus on early and contemporary music from historical, critical and analytical perspectives. Lisa Colton’s publications have included articles on medieval motets, manuscript sources, Judith Weir and Lady Gaga. She has co-edited two essay collections: Gender, Age and Musical Creativity (with Catherine Haworth), and Sources of Identity: Makers, owners and users of music sources before 1600 (with Tim Shephard).
