Overview
Presenting for the first time Akim Volynsky's (1861-1926) pre-balletic writings on Leonardo da Vinci, Fyodor Dostoevsky, Otto Weininger, and on such illustrious personalities as Zinaida Gippius, Ida Rubinstein, and Lou Andreas-Salome, And Then Came Dance provides new insight into the origins of Volynsky's life-altering journey to become Russia's foremost ballet critic. A man for whom the realm of art was largely female in form and whose all-encompassing image of woman constituted the crux of his aesthetic contemplation that crossed over into the personal and libidinal, Volynsky looks ahead to another Petersburg-bred high priest of classical dance, George Balanchine. With an undeniable proclivity toward ballet's female component, Volynsky's dance writings, illuminated by examples of his earlier gendered criticism, invite speculation on how truly ground-breaking and forward-looking this critic is.
Full Product Details
Author: Professor Emeritus of Russian Stanley J Rabinowitz (Amherst College)
Publisher: Oxford University Press, USA
Imprint: Oxford University Press, USA
ISBN: 9780190943400
ISBN 10: 0190943408
Publication Date: 22 August 2019
Audience:
General/trade
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General
Format: Undefined
Publisher's Status: Active
Availability: In Print
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Reviews
"""Akim Volynsky, an idealist's idealist, abandoned philosophy for literature, then literature for Russian classical ballet. He wrote obsessively and compellingly about the female dancer as martyr, oracle, and cipher of an art he hoped might change the world. Rabinowitz has produced a mesmerizing, provocative collection of his writings, beautifully translated."" -- Simon Morrison, Princeton University ""Praise for Ballet's Magic Kingdom: Selected Writings on Dance in Russia, 1911-1925 (2011): This is a fantastic book ... The book is a must for anyone claiming a love of ballet ... [Volynsky's text] is always hugely entertaining and surprising, you will never look at a toeshoe, a tiara or a tendu ... the same way again."" -- Toni Bentley, The New York Times Book Review"
Akim Volynsky, an idealist's idealist, abandoned philosophy for literature, then literature for Russian classical ballet. He wrote obsessively and compellingly about the female dancer as martyr, oracle, and cipher of an art he hoped might change the world. Rabinowitz has produced a mesmerizing, provocative collection of his writings, beautifully translated. -- Simon Morrison, Princeton University Praise for Ballet's Magic Kingdom: Selected Writings on Dance in Russia, 1911-1925 (2011): This is a fantastic book ... The book is a must for anyone claiming a love of ballet ... [Volynsky's text] is always hugely entertaining and surprising, you will never look at a toeshoe, a tiara or a tendu ... the same way again. -- Toni Bentley, The New York Times Book Review
Author Information
Stanley J. Rabinowitz is Professor Emeritus of Russian at Amherst College.
