Analytical and Cross-Cultural Studies in World Music

Author:   Michael Tenzer (Professor of Music, Professor of Music, University of British Columbia) ,  John Roeder (Professor of Music, Professor of Music, University of British Columbia)
Publisher:   Oxford University Press Inc
ISBN:  

9780195384581


Pages:   472
Publication Date:   03 November 2011
Format:   Hardback
Availability:   To order   Availability explained
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Analytical and Cross-Cultural Studies in World Music


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Full Product Details

Author:   Michael Tenzer (Professor of Music, Professor of Music, University of British Columbia) ,  John Roeder (Professor of Music, Professor of Music, University of British Columbia)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.40cm , Height: 3.60cm , Length: 16.00cm
Weight:   0.831kg
ISBN:  

9780195384581


ISBN 10:   019538458
Pages:   472
Publication Date:   03 November 2011
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

"About the Companion Website Introduction, John Roeder Part I: Analytical Encounters with Music in Diverse Cultures 1. Surface and Deep Structure in the Tôgaku Ensemble of Japanese Court Music (Gagaku). Naoko Terauchi 2. Form, Counterpoint, and Meaning in a Fourteenth-Century French Courtly Song. Elizabeth Eva Leach 3. Nuances of Continual Variation in the Brazilian Pagode Song ""Sorriso Aberto"". Jason Stanyek and Fabio Oliveira 4. Thelonious Monk's Harmony, Rhythm, and Pianism. Evan Ziporyn and Michael Tenzer 5. Dynamics of Melodic Discourse in Indian Music: Budhaditya Mukherjee's ?l?p in R?g P?riy?-Kaly?n. Richard Widdess 6. Timbre-and-Form: The BSC and the Boston Improvising Community, Lou Bunk 7. Rhythm and Folk Drumming (P'ungmul) as the Musical Embodiment of Communal Consciousness in South Korean Village Society. Nathan Hesselink 8. Strophic Form and Asymmetrical Repetition in Four American Indian Songs. Victoria Lindsay Levine and Bruno Nettl 9. Musical Form and Style in Murriny Patha Djanba Songs at Wadeye (Northern Territory, Australia). Linda Barwick Part II: Cross-Cultural Analytical Comparisons 10. Integrating Music: Personal and Global Transformations. Michael Tenzer 11. Combining Sounds to Reinvent the World: World Music, Sociology, and Musical Analysis. Simha Arom and Denis-Constant Martin Afterword: A Cross-Cultural Topology of Musical Time. Michael Tenzer Contributors Index"

Reviews

<br> [An] interesting sampler of the world's music and practitioners...Recommended. --CHOICE<p><br>


Author Information

Michael Tenzer is Professor of Music at the University of British Columbia. He is the author of two previous books, Balinese Music (Periplus, 1991 [1998, 2nd. Ed.]) and Gamelan Gong Kebyar: The Art of Twentieth Century Balinese Music (Chicago 2000) which received the 34th ASCAP Deems Taylor Award and the Society for Ethnomusicology's Merriam Prize. He edited this book's predecessor, Analytical Studies in World Music (Oxford 2006). The first western composer to create new music for Balinese groups in Bali, his compositions in diverse genres have been commissioned, performed and acclaimed internationally. In 2009 New World Records released a CD of his music, Let Others Name You. John Roeder, a Professor at the University of British Columbia, is a music theorist who specializes in explaining music outside the traditional Western canon, especially contemporary art music and world music. He focuses on basic processes of pitch and rhythm, but he has also developed mathematical and computational models of music, and has directed research into the preservation of the digital records of art, government, and science.

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