Overview

Once the major Hollywood studios got over their loathing of television as an entertainment medium, they moved quickly to dominate both domestic and international programming. In the United States, the eight major studios controlled an overwhelming majority of all programming by the early 1950s. Their efforts in foreign markets were not quite so successful, but by the 1990s US distributors controlled about 75 percent of the international television trade. Hollywood's efforts in television were often thwarted by governments that recognised the airwaves as a public resource and intervened in varying degrees to keep the studios' programming off the air in their countries. Still the US industry found various ways to provide American fare to foreign viewers. Even into the 1980s, for example, some Hollywood shows could be bought by foreign broadcasters for fees as low as $25 per segment. Despite these efforts the American studios have never been able to completely dominate foreign airwaves: Viewers usually prefer their own, domestic fare to that offered by Hollywood. This history fully documents the US television industry's efforts in foreign markets and how it continues to look for new markets.

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9780786476169

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well-researched - Choice

Author Information

Cultural historian Kerry Segrave is the author of dozens of books on such topics as drive-in theatres, lie detectors, jukeboxes, smoking, shoplifting and ticket-scalping. He lives in British Columbia.

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