Overview

American Modern presents a fresh look at The Museum of Modern Art's holdings of American art made between 1915 and 1950, and considers the cultural preoccupations of a rapidly changing American society in the first half of the 20th century. Organized thematically and featuring paintings, drawings, prints, photographs, sculpture, and film, the publication brings together some of the Museum's most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O'Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis include urban and rural landscapes, scenes of industry, still-life compositions and portraiture. Although varying in style and specifics, they share certain underlying visual and emotional tendencies. Cityscapes and factories are eerily emptied of the crush of residents that flocked to them, becoming both a celebration of clean modern form and technological advances, as in Sheeler's paintings and photographs, and a reflection of anxiety about increasingly urban life-styles and their consequences for the American individual, as in Hopper's iconic Night Windows. Equally silent rural scenes are no less haunting, but perhaps reflect a nostalgia for seemingly simpler times, and a celebration of early American traditions and values. Rather than an encyclopedic view of American art of the period, this volume is a focused look at the strengths and surprises of MoMA's collection in an area that has played a rich and major role in the institution's history.

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9780870708527

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American modernism in the years before Abstract Expressionism is the focus of this exhibition, featuring iconic works from MoMA's collection by Edward Hopper, Georgia O'Keeffe, George Bellows. Alfred Stieglitz and Andrew Wyeth, among other big names.--Howard Halle Time Out New York In the Thirties, MoMA deliberately set out to collect the work of living American artists as a counterbalance to what was considered at the time its concentration on European works.--Lorna Koski WWD

In the Thirties, MoMA deliberately set out to collect the work of living American artists as a counterbalance to what was considered at the time its concentration on European works.--Lorna Koski WWD (07/16/2013)

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