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OverviewThis study looks at how the movie industry organisation functioned between the late ‘40s and 1983 when it was originally published. It describes the changing role of domestic exhibition through this time and analyses the wider film industry to provide a model of the exhibition structure in relation to production, distribution and outside factors. It addresses the growing issues of the cable and video markets as competition to the film exhibition business at that time and looks forward into a highly turbulent environment. With particular interest now as the film industry address a new range of threats and adaptations of its working structure, this book offers and integral understanding of a key stage in cinema history. Full Product DetailsAuthor: Gary Edgerton (Butler University, IN, USA)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.60cm , Height: 1.40cm , Length: 23.40cm Weight: 0.476kg ISBN: 9780415726443ISBN 10: 0415726441 Pages: 240 Publication Date: 11 November 2013 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction 1. The Structure of American Motion Picture Exhibition Since 1948 2. Domestic Exhibition and its Adversary Relationship with America’s Major Distributors in the Seventies 3. A Splintering of Power Groups within Domestic Exhibition in the 1970s 4. The American Movie Theatre 5. Some Thoughts about the Future of Domestic ExhibitionReviewsAuthor InformationEdgerton, Gary Tab Content 6Author Website:Countries AvailableAll regions |