American Cinema of the 1940s: Themes and Variations

Author:   Professor Wheeler Winston Dixon (University of Nebraska, Lincoln, USA)
Publisher:   Bloomsbury Publishing PLC
Volume:   v. 2
ISBN:  

9781845204358


Pages:   272
Publication Date:   01 February 2006
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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American Cinema of the 1940s: Themes and Variations


Overview

The 1940s was a watershed decade for American cinema and the nation. At the start of the decade, Hollywood - shaking off the Depression - launched an unprecedented wave of production, generating some of its most memorable classics, including Citizen Kane, Rebecca, The Lady Eve, Sergeant York, and How Green Was My Valley. Hollywood then joined the national war effort with a vengeance, creating a series of patriotic and escapist films, such as Casablanca, Mrs. Miniver, The Road to Morocco, and Yankee Doodle Dandy. By the end of the war America was a country transformed. The 1940s closed with the threat of the atom bomb and the beginnings of the Hollywood blacklist. Film Noir reflected the new public mood of pessimism and paranoia. Classic films of betrayal and conflict - Kiss of Death, Force of Evil, Caught, and Apology for Murder - depicted a poisonous universe of femme fatales, crooked lawyers, and corrupt politicians.

Full Product Details

Author:   Professor Wheeler Winston Dixon (University of Nebraska, Lincoln, USA)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Berg Publishers
Volume:   v. 2
Dimensions:   Width: 15.60cm , Height: 1.50cm , Length: 23.40cm
Weight:   0.519kg
ISBN:  

9781845204358


ISBN 10:   1845204352
Pages:   272
Publication Date:   01 February 2006
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Author Information

Wheeler Winston Dixon is the James Ryan Endowed Professor of Film Studies and a professor of English at the University of Nebraska, Lincoln, and, with Gwendolyn Audrey Foster, editor-in-chief of the Quarterly Review of Film and Video.

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