|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Hilaire KallendorfPublisher: University of Toronto Press Imprint: University of Toronto Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.680kg ISBN: 9781487502133ISBN 10: 1487502133 Pages: 277 Publication Date: 23 November 2017 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Temporarily unavailable ![]() The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsAcknowledgements List of Figures Prologue: Virtuous Genealogies Introduction 1. Blind Justice 2. Fleeting Fortitude 3. Charity as Greed 4. Loose Chastity 5. Prudence: Panacea or Placebo? 6. Class Trumps Sex: (En)Gendering Virtue Conclusion Epilogue: Virtual VirtueReviews"""This ambitious volume is written with great verve and stands to open many doors for future comedia study."" -- Shifra Armon, University of Florida * <em>Bulletin des Commandants</em>, 2019 * ""The book confirms the great potential of Golden Age drama as a source of case studies. The commercial stage was a locus where popular demand intersected with the sort of normative discourse generated by the cultural, religious, and political elites: as Kallendorf points out, the theater can be viewed as an ‘artificially constructed laboratory for the study of moral behaviour.’"" -- José María Pérez Fernández, Universidad de Granada * <em>Renaissance Quarterly</em>, Summer 2020 *" ""This ambitious volume is written with great verve and stands to open many doors for future comedia study."" -- Shifra Armon, University of Florida * <em>Bulletin des Commandants</em>, 2019 * ""The book confirms the great potential of Golden Age drama as a source of case studies. The commercial stage was a locus where popular demand intersected with the sort of normative discourse generated by the cultural, religious, and political elites: as Kallendorf points out, the theater can be viewed as an ‘artificially constructed laboratory for the study of moral behaviour.’"" -- José María Pérez Fernández, Universidad de Granada * <em>Renaissance Quarterly</em>, Summer 2020 * This ambitious volume is written with great verve and stands to open many doors for future comedia study. -- Shifra Armon, University of Florida * <em>Bulletin des Commandants</em>, 2019 * The book confirms the great potential of Golden Age drama as a source of case studies. The commercial stage was a locus where popular demand intersected with the sort of normative discourse generated by the cultural, religious, and political elites: as Kallendorf points out, the theater can be viewed as an 'artificially constructed laboratory for the study of moral behaviour.' -- Jose Maria Perez Fernandez, Universidad de Granada * <em>Renaissance Quarterly</em>, Summer 2020 * Author InformationHilaire Kallendorf is a professor of Hispanic and religious studies in the Department of Global Languages and Cultures at Texas A&M University. Tab Content 6Author Website:Countries AvailableAll regions |