Overview
Who inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.
Full Product Details
Author: Jacquelyn E. C. Sholes
Publisher: Indiana University Press
Imprint: Indiana University Press
ISBN: 9780253033147
ISBN 10: 0253033144
Pages: 274
Publication Date: 24 May 2018
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
Worth a read for Brahms devotees, even those without advanced music theory knowledge. . . . Recommended. * Choice * This is a wonderfully musical book with many valuable insights (and many generously long music examples). It will be useful to Brahms scholars, of course, but also to those who study music from roughly 1780 to the early twentieth century. * Notes *
This is a wonderfully musical book with many valuable insights (and many generously long music examples). It will be useful to Brahms scholars, of course, but also to those who study music from roughly 1780 to the early twentieth century. * Notes * Worth a read for Brahms devotees, even those without advanced music theory knowledge. . . . Recommended. * Choice *
Worth a read for Brahms devotees, even those without advanced music theory knowledge. . . . Recommended. * Choice *
Author Information
Jacquelyn E. C. Sholes serves on the faculty of the Department of Musicology and Ethnomusicology at Boston University.
