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OverviewWhat is modernity? Where are modernitys points of origin? Where are its boundaries? And what lies beyond those boundaries? Allegory and Enchantment explores these broad questions by considering the work of English writers at the threshold of modernity, and by considering,in particular, the cultural forms these writers want to leave behind. From the fourteenth to the seventeenth centuries, many English writers fashion themselves as engaged in breaking away from an array of old idols: magic, superstition, tradition, the sacramental, the medieval. Many of these writers persistently use metaphors of disenchantment, of awakening from a broken spell, to describe their self-consciously modern orientation toward a medieval past. And many of them associate that repudiated past with the dynamics and conventions of allegory. In the hands of the major English practitioners of allegorical narrativeWilliam Langland, John Skelton, Edmund Spenser, and John Bunyanallegory shows signs of strain and disintegration. The work of these writers seems to suggest a story of modern emergence in which medieval allegory, with its search for divine order in the material world, breaks down under the pressure of modern disenchantment. But these four early modern writers also make possible other understandings of modernity. Each of them turns to allegory as a central organizing principle for his most ambitious poetic projects. Each discovers in the ancient forms of allegory a vital, powerful instrument of disenchantment. Each of them, therefore, opens up surprising possibilities: that allegory and modernity are inescapably linked; that the story of modern emergence is much older than the early modern period; and that the things modernity has tried to repudiatethe old enchantmentsare not as alien, or as absent, as they seem. Full Product DetailsAuthor: Jason Crawford (Union University, Tennessee)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 14.70cm , Height: 1.90cm , Length: 22.30cm Weight: 0.423kg ISBN: 9780198788041ISBN 10: 0198788045 Pages: 238 Publication Date: 26 January 2017 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: A Poetics of Enchantment 1: Genealogies of Allegory 2: Incarnations of the Word: Piers Plowman 3: Suspicion and Solitude: The Bowge of Courte 4: Violence and Apocalypse: The Faerie Queene 5: Selfhood and Secularity: The Pilgrim's Progress BibliographyReviewsThis challenging study will leave readers thinking long and hard about the tension between truth-telling and story-telling and how we define our relation to the past. -John Farrell, Los Angeles Review of Books Author InformationJason Crawford (PhD, Harvard) is Assistant Professor of English at Union University, where he teaches and writes about early modern literature and culture. His essays have appeared in the Journal of Medieval and Early Modern Studies, Religion & Literature, and English Studies. Tab Content 6Author Website:Countries AvailableAll regions |