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9781399510660

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The grand - and realized - ambition of Allegorising Thought on the Shakespearean Stage is to ground allegory in the warp and weft of early modern theatrical practice. Distributed across the theatrical event, Shakespeare's mindful allegories are - in Claire Guéron's compelling account - thickened, not thinned, by expansion.--Paul Menzer, Mary Baldwin University

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Claire Gueron is Senior Lecturer at the University of Burgundy (Universite de Bourgogne) in Dijon, France. Her research areas are early modern stage semiotics, the ethics of spectatorship and Shakespearean detective novels. Her recent publications include 'Figure and Figura in Henry V', in Francois Laroque (ed), William Shakespeare King Henry V, Paris: Ellipses, 2020, pp.65-80, 'Le double jeu de Nick Revill, detective Shakespearien', Textes et Contextes, vol. 14, no. 1 , [online], June 16th, 2019. 'Never Shake thy Gory Locks at me: Objecting to Gesture in Macbeth', Interfaces: Texte, Image, Langage, vol.40, 2018. And 'Authorizing Laughter in The Duchess of Malfi', in Pascale Drouet and William C. Carroll (eds), Paris: Belin Education, 2018, pp. 204-19.

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