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OverviewFull Product DetailsAuthor: Hilde van Van Gelder (KU Leuven and Lieven Gevaert Research Centre for Photography, Art and Visual Culture.)Publisher: Leuven University Press Imprint: Leuven University Press Volume: 19 Dimensions: Width: 17.00cm , Height: 2.00cm , Length: 23.10cm Weight: 0.907kg ISBN: 9789462700055ISBN 10: 9462700052 Pages: 240 Publication Date: 28 February 2015 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsForeword: Pas de deux Jürgen Bock and Bart De Baere Introduction Hilde Van Gelder — Allan Sekula's Chronotopes: Uneven & Combined Capitalism Steve Edwards Photography Against the Flow: Abstraction and Logistics in Allan Sekula's Writings Alberto Toscano Allan Sekula's Transitive Poetics: Metonymy and Metaphor in Lottery of the Sea, Ship of Fools and The Dockers' Museum Gail Day Allan Sekula's Labor of Giants Hilde Van Gelder Collection and Recollection: Allan Sekula's Nutcracker Suite Sally Stein Selected Texts by and Excerpts from Discussions with Allan Sekula Relating to Ship of Fools / The Dockers' Museum Edited by Hilde Van Gelder Bibliography — Ship of Fools / The Dockers' Museum: A Representative Sample CaptionsReviews"Readers who want to know more about Allan Sekula's works will no doubt appreciate this collection of essays devoted to them. Ciel Variable n°101 Hilde van Gelder, in her essay ""Labor of Giants"", gives the most detailed account of where the project is at the moment. Having been in contact with the artist until shortly before his death, she provides much additional material and sketches the most important thematic clusters of the collection beyond the obvious topics of dock labour and seafaring. Together with Sally Stein's amazing narrative of her coming to grips with Sekula's collection, at last almost inclined to share his firm belief that these seemingly heterogeneous objects are all connected, we thus get an excellent image of the transition of this seminal project from one state of being to another. ""There is a metaphor of The Dockers' Museum,"" Sekula is quoted in the introductory motto, ""which is 'that which is fluid, that which is moving, comes to rest. ""' Wilfried Prantner, Camera Austria 131, 2015" Author InformationHilde Van Gelder is professor of modern and contemporary art history at the KU Leuven and co-director of the Lieven Gevaert Research Centre for Photography, Art and Visual Culture. Tab Content 6Author Website:Countries AvailableAll regions |