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OverviewFull Product DetailsAuthor: Professor Agata Jakubowska , Professor Katy DeepwellPublisher: Liverpool University Press Imprint: Liverpool University Press Volume: 15 ISBN: 9781800857124ISBN 10: 1800857128 Pages: 296 Publication Date: 01 August 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgements vii Introduction 1Katy Deepwell and Agata Jakubowska1 Women Artists’ Collectives in France: A Multiplicity of Positionsin a Turbulent Context 19Fabienne Dumont2 Making Space for Feminism. All-Women Art Exhibitions inSweden in the 1970s 47Annika Öhrner3 Feminist Collaborative Projects in the UK in the 1970s 71Katy Deepwell4 ‘For Us, Art is Work’: In♀Akt – International ActionCommunity of Women Artists 96Elke Krasny5 The VBKÖ’s Archive as a Site of Political Confrontation, or HowCan You Sing Out of Tune? 119Nina Hoechtl and Julia Wieger6 The International Exhibition Kvindeudstillingen XX påCharlottenborg in Copenhagen and the Idea of Feminist Art Space 144Monika Kaiser7 Heterotopian Spaces of Feminist Art Practice: The Schulefür kreativen Feminismus and the Stichting Vrouwen in deBeeldende Kunst 167Kathleen Wentrack8 Women’s Art Spaces: Two Mediterranean Case Studies 189Katia Almerini9 Portuguese Women Artists at the National Society of Fine Arts:Why Was This Not a Feminist Exhibition? 209Márcia Oliveira10 No Groups but Friendship. All-Women Initiatives in Poland atthe Turn of the 1980s 229Agata Jakubowska11 ‘And – I have not taken him’. The Erfurt Women Artists’ Group 248Susanne Altmann Notes on Contributors 269Index 273Reviews'One can only hope that this book will give rise to new publications on the same subject, which take Europe into account as a space for exchange and thought, as well as other, more peripheral, geographical areas.' (Translated from French) Phoebe Clarke, Critique d'art 'All-women art spaces in Europe in the long 1970s is an ambitious and invaluable contribution to the fields of art history and gender studies that acknowledges the diverse practices of women artists and enriches our understanding of this transformative period in the history of art and feminism.' Ksenia Nouril, Women's Art Journal Reviews 'The volume is characterized by its wealth of information [...] It is a knowledgeable and multifaceted contribution to the history of the women-specific and feminist art movement of the 1970s in a comparative and global perspective, and continues into the following decades.' (Translated from German.) Edith Futscher, FrauenKunstWissenschaft 'One can only hope that this book will give rise to new publications on the same subject, which take Europe into account as a space for exchange and thought, as well as other, more peripheral, geographical areas.' (Translated from French) Phoebe Clarke, Critique d’art 'All-women art spaces in Europe in the long 1970s is an ambitious and invaluable contribution to the fields of art history and gender studies that acknowledges the diverse practices of women artists and enriches our understanding of this transformative period in the history of art and feminism.' Ksenia Nouril, Women’s Art Journal Reviews 'The volume is characterized by its wealth of information [...] It is a knowledgeable and multifaceted contribution to the history of the women-specific and feminist art movement of the 1970s in a comparative and global perspective, and continues into the following decades.' (Translated from German.) Edith Futscher, FrauenKunstWissenschaft Author InformationAgata Jakubowska is Associate Professor at the Institute of Art History, Warsaw University. Katy Deepwell is Founder and Editor of n.paradoxa: international feminist art journal and Professor of Contemporary Art, Theory and Criticism at Middlesex University, London. Tab Content 6Author Website:Countries AvailableAll regions |