All the Queen’s Jewels, 1445–1548: Power, Majesty and Display

Author:   Nicola Tallis
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032065014


Pages:   342
Publication Date:   29 November 2022
Format:   Hardback
Availability:   In Print   Availability explained
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All the Queen’s Jewels, 1445–1548: Power, Majesty and Display


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Author:   Nicola Tallis
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.460kg
ISBN:  

9781032065014


ISBN 10:   103206501
Pages:   342
Publication Date:   29 November 2022
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction 1. An Introduction to Jewellery and the Queenly Use of Jewels 2. The Wills of the Queens of England, 1445-1548 3. The Jewel Inventories of Jane Seymour, Katherine Howard and Kateryn Parr 4. Portraiture 5. Goldsmiths and Commissioning Jewels 6. Gifts of Jewels 7. The Crown Jewels 8.Conclusion

Reviews

"‘This study offers a fresh interpretation of queenship and the ways in which queens wielded power in late Medieval and early modern society. Jewellery is often dismissed as a trivial topic when in fact it is at the heart of politics. Tallis remarkably reveals its true importance in defining and challenging power--especially when it came to queens. Thoroughly researched and with an accessible prose, this book is undeniably a significant contribution to the field and is going to be a great resource for students, scholars, and members of the public alike who have an interest in queens and power.’ Estelle Paranque, New College of the Humanities, UK ‘This exciting new work is an excellent example of innovative new work in queenship studies, tracing the evolution of the queen’s jewel collection during a particularly turbulent period from the Wars of the Roses to the last of Henry VIII’s six wives. This engaging read demonstrates the importance of the queen’s jewels in underpinning her role by projecting majesty as well as enhancing her networks through gift exchange.’ Elena Woodacre, University of Winchester, UK ‘This study of the jewel collections of the queens consort of England between 1445 and 1548 offers a fluent, engaging, and very informative account of an important aspect of female royalty. Nicola Tallis’s book contributes original research to a generation of scholarship into the material history of late-medieval European queenship, drawing on evidence from inventories, wills, portraiture, commissions to artisans, and correspondence. The book presents a comprehensive account of the production, acquisition and care of the queens’ jewels and their use as personal adornment and gifts in a wide range of contexts. It ably demonstrates how the deployment of the queens’ jewels was an integral part of the magnificence of Plantagenet and Tudor monarchy.’ Glenn Richardson, St Mary's University, UK ""Nicola Tallis has justifiably established herself as an expert not just on the English queens’ jewellery collection but how these pieces advertised power, augmented influence, and shaped reputations in the early modern era. An important, groundbreaking, and fascinating book."" Gareth Russell, Historian and Broadcaster."


'This study offers a fresh interpretation of queenship and the ways in which queens wielded power in late Medieval and early modern society. Jewellery is often dismissed as a trivial topic when in fact it is at the heart of politics. Tallis remarkably reveals its true importance in defining and challenging power--especially when it came to queens. Thoroughly researched and with an accessible prose, this book is undeniably a significant contribution to the field and is going to be a great resource for students, scholars, and members of the public alike who have an interest in queens and power.' Estelle Paranque, New College of the Humanities, UK


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