|
![]() ![]() |
|||
|
||||
OverviewJournalists today are inundated with data about which stories attract the most clicks, likes, comments, and shares. These metrics influence what stories are written, how news is promoted, and even which journalists get hired and fired. Do metrics make journalists more accountable to the public? Or are these data tools the contemporary equivalent of a stopwatch wielded by a factory boss, worsening newsroom working conditions and journalism quality? Caitlin Petre takes listeners behind the scenes at the New York Times, Gawker, and the prominent news analytics company Chartbeat to explore how performance metrics are transforming the work of journalism. Petre describes how digital metrics are a powerful but insidious new form of managerial surveillance and discipline. Real-time analytics tools are designed to win the trust and loyalty of wary journalists by mimicking key features of addictive games, including immersive displays, instant feedback, and constantly updated scores and rankings. Many journalists get hooked on metrics and pressure themselves to work ever harder. Yet this is not a simple story of managerial domination. Contrary to the typical perception of metrics as inevitably disempowering, Petre shows how journalists leverage metrics to their advantage, using them to advocate for their professional worth and autonomy. Full Product DetailsAuthor: Caitlin Petre , Eva WilhelmPublisher: Tantor Audio Imprint: Tantor Audio Edition: Library Edition ISBN: 9798200841837Publication Date: 21 September 2021 Audience: General/trade , General Format: Audio Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsAuthor InformationCaitlin Petre is assistant professor of journalism and media studies at Rutgers University. She lives in New York City. Eva Wilhelm is a classically trained stage actor, with two decades of theater experience, primarily in Washington, D.C., and Chicago; she has worked with theaters like The Folger Theatre, Studio Theatre, The Shakespeare Theatre, and The Court Theatre. Eva has recorded over a hundred audiobooks for various producers, and teaches everything from Acting for Business Professionals to Shakespeare Scene Study and Voice for the Microphone for The Shakespeare Theatre, Howard University, and other educational institutions. Tab Content 6Author Website:Countries AvailableAll regions |