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OverviewFull Product DetailsAuthor: Samantha Matthews (Senior Lecturer in English, University of Bristol)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 16.30cm , Height: 2.40cm , Length: 24.10cm Weight: 0.622kg ISBN: 9780198857945ISBN 10: 0198857942 Pages: 304 Publication Date: 10 September 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsIntroduction 1: From 'La Grande Chartreuse' to The British Album: Sublimity, Satire, and Early Album Poetics 2: Manuscript, Print, Patronage, and Place: Reconstructing the 'Cossey Hall' Album 3: 'Like Her, Fair Book, be thou': Lady Jersey and Album Culture 4: Albo-mania, Albo-phobia: Satire, Gender, and Album Verses in 1820s Print Culture 5: What's in a Name? Kindness to Strangers in Charles Lamb's Album Poetry and Poetics 6: 'Here you may trace a pigmy hand, / And there a Giant strength': Daughters, Poet-fathers, and the Wordsworth Circle AlbumsReviewsImportantly, this book continues the work of broadening the scope of Romantic literary scholarship. Through bringing album verse to the forefront of conversation about Romantic poetry, Matthews lays the groundwork for further investigation into the ways we have defined Romantic poetics, its relationship to manuscript and print culture, and the voices we have considered to be fundamental in shaping its aesthetic form and value. * Kacie L. Wills, Illinois College, Romantic Circles * Matthews has written a fascinating book, happily combining a chronological and a thematic structure. Those working in the field will be grateful for her scrupulous documentation and the stimulating hints at the wealth of material that remains to be discovered. * Nora Crook, Charles Lamb Bulletin * Importantly, this book continues the work of broadening the scope of Romantic literary scholarship. Through bringing album verse to the forefront of conversation about Romantic poetry, Matthews lays the groundwork for further investigation into the ways we have defined Romantic poetics, its relationship to manuscript and print culture, and the voices we have considered to be fundamental in shaping its aesthetic form and value. * Kacie L. Wills, Illinois College, Romantic Circles * Author InformationSamantha Matthews is a Senior Lecturer in English Literature at the University of Bristol. She has wide-ranging interdisciplinary research interests in the literary, visual, and material culture of the long nineteenth century (c. 1780-1920). Her first book, Poetical Remains: Poets' Graves, Bodies, and Books in the Nineteenth Century (OUP, 2004), considered the productive relations between dead poets and their literal and literary 'remains.' She has a long-standing interest in book history and manuscript culture, particularly the creative possibilities of blank books. She is editing Charles Lamb's poetry for Oxford's new Complete Works of Charles and Mary Lamb. Tab Content 6Author Website:Countries AvailableAll regions |