|
![]() |
|||
|
||||
OverviewThis book provides a comprehensive assessment of Dürer’s depictions of human diversity, focusing particularly on his depictions of figures from outside his Western European milieu. Heather Madar contextualizes those depictions within their broader artistic and historical context and assesses them in light of current theories about early modern concepts of cultural, ethnic, religious and racial diversity. The book also explores Dürer’s connections with contemporaries, his later legacy with respect to his imagery of the other and the broader significance of Nuremberg to early modern engagements with the world beyond Europe. The book will be of interest to scholars working in art history, Renaissance studies and Renaissance history. Full Product DetailsAuthor: Heather Madar (Cal Poly Humboldt, USA)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.500kg ISBN: 9780367567453ISBN 10: 0367567458 Pages: 174 Publication Date: 31 July 2023 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction 1. From Saracen to Turk: Dürer and the Origins of Ottoman Imagery in German Renaissance Art 2. Ottoman, Mamluk and Roman: Dress and Identity in Dürer’s Art After 1495 3. Ottomans as Ottomans: Portraiture, Genre and Polemical Imagery 4. Black Ottomans and Black Mamluks: Racial Difference in Dürer’s Depictions of Muslim Figures 5. Katharina and Portrait of an African Man: Black Presence in Renaissance Europe ConclusionReviewsAuthor InformationHeather Madar is Professor at Cal Poly Humboldt, USA Tab Content 6Author Website:Countries AvailableAll regions |