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OverviewIn Agency and Embodiment, Carrie Noland examines the ways in which culture is both embodied and challenged through the corporeal performance of gestures. Arguing against the constructivist metaphor of bodily inscription dominant since Foucault, Noland maintains that kinesthetic experience, produced by acts of embodied gesturing, places pressure on the conditioning a body receives, encouraging variations in cultural practice that cannot otherwise be explained. Drawing on work in disciplines as diverse as dance and movement theory, phenomenology, cognitive science, and literary criticism, Noland argues that kinesthesia-feeling the body move-encourages experiment, modification, and, at times, rejection of the routine. Noland privileges corporeal performance and the sensory experience it affords in order to find a way beyond constructivist theory's inability to produce a convincing account of agency. She observes that despite the impact of social conditioning, human beings continue to invent surprising new ways of altering the inscribed behaviors they are called on to perform. Through lucid close readings of Marcel Mauss, Maurice Merleau-Ponty, Bill Viola, André Leroi-Gourhan, Henri Michaux, Judith Butler, Frantz Fanon, Jacques Derrida, and contemporary digital artist Camille Utterback, Noland illustrates her provocative thesis, addressing issues of concern to scholars in critical theory, performance studies, anthropology, and visual studies. Full Product DetailsAuthor: Carrie NolandPublisher: Harvard University Press Imprint: Harvard University Press Dimensions: Width: 15.60cm , Height: 2.30cm , Length: 23.50cm Weight: 0.544kg ISBN: 9780674034518ISBN 10: 0674034511 Pages: 272 Publication Date: 01 October 2009 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Out of stock The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of Contents* Introduction * The 'Structuring' Body: Marcel Mauss and Bodily Techniques * Gestural Meaning: Maurice Merleau-Ponty, Bill Viola, and The Primacy of Movement * Inscription and Embodiment: Andre Leroi-Gourhan and the Body as Tool * Inscription as Performance: Henri Michaux and the Writing Body * The Gestural Performative: Locating Agency in Judith Butler and Frantz Fanon * Conclusion: Illegible Graffiti * Notes * Acknowledgments * IndexReviewsCarrie Noland challenges Michel Foucault's metaphor of bodily inscription by proposing gesture as scriptural having the characteristics of writing. Agency and Embodiment constitutes a highly original contribution to thinking on the body, power, and culture across fields in the arts, humanities, and social sciences, from a decidedly interdisciplinary perspective.--Mark Franko, Professor of Dance, University of California, Santa Cruz Author InformationCarrie Noland is Professor of French and Comparative Literature at the University of California, Irvine. Tab Content 6Author Website:Countries AvailableAll regions |
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