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OverviewFull Product DetailsAuthor: Mark AldridgePublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Edition: 1st ed. 2016 Dimensions: Width: 15.50cm , Height: 2.00cm , Length: 23.50cm Weight: 5.737kg ISBN: 9781349676958ISBN 10: 1349676950 Pages: 363 Publication Date: 02 November 2016 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction.- PART I. Destination Unknown.- Chapter 1. The Silent Adventures.- Chapter 2. Poirot Comes to the Silver Screen.- PART II. Appointment with Death.- Chapter 3. The Early Television Adaptations.- Chapter 4. New Prospects and Problems in Television.- PART III. Wasps’ Nest.- Chapter 5. Christie Films Make an Impact.- Chapter 6. Margaret Rutherford as Miss Marple.- PART IV. Evil Under the Sun.- Chapter 7. A New Era for Agatha Christie Films.- Chapter 8. Peter Ustinov as Hercule Poirot.- PART V. Partners in Crime.- Chapter 9. Christie Comes Back to Television.- Chapter 10. New Approaches.- PART VI. In a Glass Darkly.- Chapter 11. Agatha Christie’s Miss Marple.- Chapter 12. Agatha Christie’s Poirot.- PART VII. Hidden Horizon.- Chapter 13. European Adaptations.- Chapter 14. Adaptations in the Rest of the World.- PART VIII. While theLight Lasts.- Chapter 15. Christie with a Twist.- Chapter 16. Looking to the Future.Reviews“It is extremely well written and very accessible to readers, both academic and general. … This book is special for two reasons. First, it is an excellent example of how to balance scholarship with accessibility for both academic and general readers. Aldridge’s book is thoroughly enjoyable to read and comprehensive in its analysis. Secondly, Aldridge focuses on both film and television adaptations, proving successfully that one can analyse both media effectively in the same context.” (Llewella Chapman, Historical Journal of Film, Radio and Television, Vol. 38 (1), 2018) “This has been a book I have been dipping into over the past few months and for anyone who is interested in film and TV adaptations of Agatha Christie’s work then this is certainly the book to buy. It covers adaptations as early as 1928 and as late as the BBC’s And Then There Were None adaptation in 2015 and it even has two chapters devoted to non-UK and USA adaptations. … So overall I would recommend this book.” (crossexaminingcrime, crossexaminingcrime.wordpress.com, March, 2017) It is extremely well written and very accessible to readers, both academic and general. ... This book is special for two reasons. First, it is an excellent example of how to balance scholarship with accessibility for both academic and general readers. Aldridge's book is thoroughly enjoyable to read and comprehensive in its analysis. Secondly, Aldridge focuses on both film and television adaptations, proving successfully that one can analyse both media effectively in the same context. (Llewella Chapman, Historical Journal of Film, Radio and Television, Vol. 38 (1), 2018) This has been a book I have been dipping into over the past few months and for anyone who is interested in film and TV adaptations of Agatha Christie's work then this is certainly the book to buy. It covers adaptations as early as 1928 and as late as the BBC's And Then There Were None adaptation in 2015 and it even has two chapters devoted to non-UK and USA adaptations. ... So overall I would recommend this book. (crossexaminingcrime, crossexaminingcrime.wordpress.com, March, 2017) This has been a book I have been dipping into over the past few months and for anyone who is interested in film and TV adaptations of Agatha Christie's work then this is certainly the book to buy. It covers adaptations as early as 1928 and as late as the BBC's And Then There Were None adaptation in 2015 and it even has two chapters devoted to non-UK and USA adaptations. ... So overall I would recommend this book. (crossexaminingcrime, crossexaminingcrime.wordpress.com, March, 2017) Author InformationDr Mark Aldridge is a senior lecturer in Film and Television at Southampton Solent University, UK, specialising in film and television history. Previous publications include The Birth of British Television, also published by Palgrave Macmillan. He has been a fan of Agatha Christie since he first saw Agatha Christie’s Poirot when he was seven. Tab Content 6Author Website:Countries AvailableAll regions |