After Criticism: New Responses to Art and Performance

Author:   Gavin Butt
Publisher:   John Wiley and Sons Ltd
ISBN:  

9780631232841


Pages:   232
Publication Date:   10 June 2004
Format:   Paperback
Availability:   Out of stock   Availability explained
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After Criticism: New Responses to Art and Performance


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Author:   Gavin Butt
Publisher:   John Wiley and Sons Ltd
Imprint:   Wiley-Blackwell
Dimensions:   Width: 15.20cm , Height: 1.90cm , Length: 22.90cm
Weight:   0.345kg
ISBN:  

9780631232841


ISBN 10:   0631232842
Pages:   232
Publication Date:   10 June 2004
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

List of Illustrations vii Notes on Contributors viii Series Editor’s Preface xi Introduction: The Paradoxes of Criticism 1 Gavin Butt Part I Performing Art’s Histories 21 1 Solo Solo Solo 23 Rebecca Schneider 2 Binding to Another’s Wound: Of Weddings and Witness 48 Jane Blocker 3 This is I 65 Niru Ratnam Part II Distracted and Bored: The Critic Looks Elsewhere 79 4 The Trouble with Men, or, Sex, Boredom, and the Work of Vaginal Davis 81 Jennifer Doyle 5 Utopia’s Seating Chart: Ray Johnson, Jill Johnston, and Queer Intermedia as System 101 José Esteban Muñoz 6 Looking Away: Participations in Visual Culture 117 Irit Rogoff Part III Critical Response/Performative Process 135 7 Itinerant Improvisations: From “My Favorite Things” to an “agency of night” 137 John Seth 8 The Experience of Art as a Living Through of Language 156 Kate Love 9 A Transparent Lecture 176 Matthew Goulish Selected Bibliography 207 compiled by Andrew Walby Index 212

Reviews

After Criticism is crucial to any discussion regarding the status of criticism and critical theory after post-structuralism and, equally importantly, is one of few texts that is innovative in its illumination of context, history, aesthetic judgement and, rare for an academic text, enjoyable to read. Art Monthly After Criticism is no doubt the most intriguing collection of performative writing published yet. Being refreshing, entertaining as well as inspiringly confusing, it is essential reading for anyone writing on art who does not only think of what to write, but also how to write it. Contemporary Though it seems contradictory to write words of praise for a book that deeply interrogates the marketability of praiseful language (in the guise of art criticism), Gavin Butt's collection deserves them. Framed by Butt's astute introduction, these performative essays pulse with vitality. Food for thought, this book makes us think, again, about art and its interpretations in a new way. Critical writing as a kind of performance - delicious. Amelia Jones, University of Manchester This anthology is an excellent overview of performative critical discourse edited and introduced by one of its leading proponents. All the contributions have an experimental or improvisational edge that preserves a sense of the critical encounter. The book is at the cutting edge of art theory and will be read with enthusiasm by a large number of people engaged with contemporary art practice and criticism. Margaret Iversen, University of Essex


After Criticism is crucial to any discussion regarding the status of criticism and critical theory after post--structuralism and, equally importantly, is one of few texts that is innovative in its illumination of context, history, aesthetic judgement and, rare for an academic text, enjoyable to read. Art Monthly After Criticism is no doubt the most intriguing collection of performative writing published yet. Being refreshing, entertaining as well as inspiringly confusing, it is essential reading for anyone writing on art who does not only think of what to write, but also how to write it. Contemporary Though it seems contradictory to write words of praise for a book that deeply interrogates the marketability of praiseful language (in the guise of art criticism), Gavin Butta s collection deserves them. Framed by Butta s astute introduction, these performative essays pulse with vitality. Food for thought, this book makes us think, again, about art and its interpretations in a new way. Critical writing as a kind of performance -- delicious. Amelia Jones, University of Manchester This anthology is an excellent overview of performative critical discourse edited and introduced by one of its leading proponents. All the contributions have an experimental or improvisational edge that preserves a sense of the critical encounter. The book is at the cutting edge of art theory and will be read with enthusiasm by a large number of people engaged with contemporary art practice and criticism. Margaret Iversen, University of Essex


Author Information

Gavin Butt teaches in the Unit of Visual Cultures at Goldsmiths College, University of London. His research interests encompass performance and performativity in the visual arts; queer theory; and queer cultures and their histories. He is the author of a book on gossip and homosexuality entitled Between You and Me: Queer Disclosures in the American Art World 1948–1963 (2005).

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