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Overview"Romulo Lachatanere (1909-1952) was the first Afro-Cuban intellectual to write extensively on Afro-Cuban religious practices. Together with Fernando Ortiz and Lydia Cabrera, he was the founder of Afro-Cuban research and made it part of the Cuban heritage. His main works offer a description of Santeria and fall somewhere between ethnology and literature. This book deals with the myths of the orishas. Since it was published in 1938 under the title ""Oh, mio yemaya,"" it has become a classic in the field." Full Product DetailsAuthor: Romulo LachatanerePublisher: Markus Wiener Publishing Inc Imprint: Markus Wiener Publishing Inc Dimensions: Width: 15.20cm , Height: 1.10cm , Length: 23.00cm Weight: 0.406kg ISBN: 9781558763173ISBN 10: 1558763171 Pages: 180 Publication Date: 30 November 2003 Audience: General/trade , College/higher education , Professional and scholarly , General , Undergraduate Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsA collection of myths from the Yoruba branch of Afro-Cuban religions, the Spanish original of this book (1938) was a pioneer publication in the field. Lachatanere interviewed a practitioner of the most widespread Afro-Cuban religion; taking special care to maintain the oral style in the development of the stories, he reveals the freshness of the narrator's perspective as he outlines the cosmological fabric created by the encounter of the African people with the Catholic religion. The book includes stories of important deities, that will help the reader understand the conceptual world of the believers. Those interested in learning about Afro-Cuban music, art, and poetry will find in this translation an introductory manual to the language, certain foods used in ceremonies, and the role of divination and figures such as the trickster. Jorge Castellanos, a scholar who has published widely on the influence of African culture on Cuban society, provides an introduction that places the author's work in its social and cultural context. The volume includes a short glossary and a selection of songs and prayers dedicated to the deities. Summing up: Recommended. General readers. â O.B. Gonzalez, Loyola University for Choice Magazine A collection of myths from the Yoruba branch of Afro-Cuban religions, the Spanish original of this book (1938) was a pioneer publication in the field. Lachatanere interviewed a practitioner of the most widespread Afro-Cuban religion; taking special care to maintain the oral style in the development of the stories, he reveals the freshness of the narrator's perspective as he outlines the cosmological fabric created by the encounter of the African people with the Catholic religion. The book includes stories of important deities, that will help the reader understand the conceptual world of the believers. Those interested in learning about Afro-Cuban music, art, and poetry will find in this translation an introductory manual to the language, certain foods used in ceremonies, and the role of divination and figures such as the trickster. Jorge Castellanos, a scholar who has published widely on the influence of African culture on Cuban society, provides an introduction that places the author's work in its social and cultural context. The volume includes a short glossary and a selection of songs and prayers dedicated to the deities. Summing up: Recommended. General readers. a O.B. Gonzalez, Loyola University for Choice Magazine A collection of myths from the Yoruba branch of Afro-Cuban religions, the Spanish original of this book (1938) was a pioneer publication in the field. Lachatanere interviewed a practitioner of the most widespread Afro-Cuban religion; taking special care to maintain the oral style in the development of the stories, he reveals the freshness of the narrator's perspective as he outlines the cosmological fabric created by the encounter of the African people with the Catholic religion. The book includes stories of important deities, that will help the reader understand the conceptual world of the believers. Those interested in learning about Afro-Cuban music, art, and poetry will find in this translation an introductory manual to the language, certain foods used in ceremonies, and the role of divination and figures such as the trickster. Jorge Castellanos, a scholar who has published widely on the influence of African culture on Cuban society, provides an introduction that places the author's work in its social and cultural context. The volume includes a short glossary and a selection of songs and prayers dedicated to the deities. Summing up: Recommended. General readers. O.B. Gonzalez, Loyola University for Choice Magazine Author InformationTab Content 6Author Website:Countries AvailableAll regions |