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OverviewThis text explores how Afro-Brazilians define their Africanness through Candomblé and Quilombo models, and construct paradigms of blackness with influences from US-based perspectives, through the vectors of public rituals, carnival, drama, poetry, and hip hop. Full Product DetailsAuthor: C. SterlingPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 2.00cm , Length: 21.60cm Weight: 0.470kg ISBN: 9781137009999ISBN 10: 1137009993 Pages: 260 Publication Date: 06 September 2012 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsWhat Roots? Which Routes? Where is Africa in the Nation? History as Transformative Praxis Ritual Encounters and Performative Moments From Candomblé to Carnaval: The Transformation of Ritual into Public Performance and Discourse Aesthetically Black: The Articulation of Blackness in the Black Arts Movement and Quilombhoje Performing Bodies Performing Blackness Performing Self: The Quest for a Transformative Poiesis Centering Blackness: Hip Hop and the Outing of Marginality Uma Luta que Nos TranscendeReviewsAuthor InformationCHERYL STERLING teaches African and African Diaspora studies in the Liberal Studies Program at New York University, USA. She is a Fulbright Scholar and is also the co-founder and editor of the on-line arts journal, AfroBeat Journal. Tab Content 6Author Website:Countries AvailableAll regions |
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