African Filmmaking: Five Formations
Author:   Kenneth W. Harrow
Publisher:   Michigan State University Press
ISBN:  

9781611862454


Pages:   313
Publication Date:   01 May 2017
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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African Filmmaking: Five Formations


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Full Product Details

Author:   Kenneth W. Harrow
Publisher:   Michigan State University Press
Imprint:   Michigan State University Press
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.431kg
ISBN:  

9781611862454


ISBN 10:   1611862450
Pages:   313
Publication Date:   01 May 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents Preface, by Kenneth W. Harrow Introduction, by Kenneth W. Harrow African Francophone Cinema, by Olivier Barlet and Kenneth W. Harrow Anglophone West Africa: Commercial Video, by Jonathan Haynes Egypt: Cinema and Society, by Viola Shafik The Rise and Fall and Rise Again of the Cinemas of the Maghreb: From the 1960s to the New Millennium, by Valérie K. Orlando Film Production in South Africa: Histories, Practices, Policies, by Jacqueline Maingard About the Authors Index

Reviews

Harrow has assembled an engaging cast of esteemed scholars who masterfully intertwine analyses of politics, genre, production, and technological shifts in African cinemas. A valuable resource for scholars, students, and anyone interested in filmmaking in Africa today. --Maryellen Higgins, Pennsylvania State University, coeditor of The Western in the Global South and editor of Hollywood's Africa after 1994


Harrow has assembled an engaging cast of esteemed scholars who masterfully intertwine analyses of politics, genre, production, and technological shifts in African cinemas. A valuable resource for scholars, students, and anyone interested in filmmaking in Africa today. <b>Maryellen Higgins, </b> Pennsylvania State University, coeditor of <i>The Western in the Global South</i> and editor of <i>Hollywood s Africa after 1994</i>


Author Information

Kenneth W. Harrow is Distinguished Professor of English at Michigan State University. His work focuses on African cinema and literature and diaspora and postcolonial studies.

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