African Diaspora: A Musical Perspective

Author:   Ingrid Monson (Ingrid Monson, Harvard University, USA)
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138177895


Pages:   376
Publication Date:   06 September 2016
Format:   Hardback
Availability:   In Print   Availability explained
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African Diaspora: A Musical Perspective


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Author:   Ingrid Monson (Ingrid Monson, Harvard University, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781138177895


ISBN 10:   113817789
Pages:   376
Publication Date:   06 September 2016
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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"""I found The African Diaspora: A Musical Perspective to be refreshing and above all, stimulating. This volume offers scholars a reading on various musical genres and the manner by which each mirrors aspects of identity, tradition and modernity, local musical traditions, and the effects of globalization--all important agents in the shaping and making of the African diaspora. After reading the entire volume, I have decided to use it as a primary text for my graduate seminar on African-American music. Furthermore, I certainly foresee its merit as a seminal text in diasporic, cultural criticism, and music scholarship. Hence, I unequivocally recommend The AfricanDiaspora as an important work in the understanding of African diasporic music and culture."" -- Cheryl Keyes, UCLA/Ethnomusicology Online No. 7"


I found The African Diaspora: A Musical Perspective to be refreshing and above all, stimulating. This volume offers scholars a reading on various musical genres and the manner by which each mirrors aspects of identity, tradition and modernity, local musical traditions, and the effects of globalization--all important agents in the shaping and making of the African diaspora. After reading the entire volume, I have decided to use it as a primary text for my graduate seminar on African-American music. Furthermore, I certainly foresee its merit as a seminal text in diasporic, cultural criticism, and music scholarship. Hence, I unequivocally recommend The African Diaspora as an important work in the understanding of African diasporic music and culture. -- Cheryl Keyes, UCLA/Ethnomusicology Online No. 7


Author Information

Ingrid Monson is Quincy Jones Professor of African American Music at Harvard University. She won the Sonneck Society's 1998 Irving Lowens Prize for the best book in American music for her 1996 Saying Something,Jazz Improvisation and Interaction. She was also a founding member of the nationally known Klezmer Conservatory Band, and plays trumpet with jazz and salsa bands. Monson previously was Associate Professor of Music at Washington University in St. Louis, and has taught at the University of Michigan, Harvard (as Visiting Professor), and University of Chicago. She has a Ph.D. and an M.A. in Musicology from NYU, and a B.M. from New England Conservatory. Monson is currently working on two books: one on the impact of the Civil Rights Movement and African Independence on the history of jazz, and one on the musics of the African Diaspora.

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