African Battle Traditions of Insult: Verbal Arts, Song-Poetry, and Performance

Author:   Tanure Ojaide
Publisher:   Springer International Publishing AG
Edition:   1st ed. 2023
ISBN:  

9783031156168


Pages:   318
Publication Date:   27 April 2023
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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African Battle Traditions of Insult: Verbal Arts, Song-Poetry, and Performance


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Author:   Tanure Ojaide
Publisher:   Springer International Publishing AG
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2023
Weight:   0.570kg
ISBN:  

9783031156168


ISBN 10:   3031156161
Pages:   318
Publication Date:   27 April 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction.—Tanure Ojaide.Part I:  African Origins.2. Battle by All Means: Udje as Oral Poetry and Performance—Tanure Ojaide.3. Halo: The Ewe Battle Tradition of Music, Songs, and Performance—Honore Missihoun.4. Poetry and Ping-Pong: Auto/Biographical Verbal Duels in Yoruba Polygamous Households—Adetayo Alabi 5. Shairi and Malumbano: The Tradition of Verbal Warfare in Swahili Literature—Mwenda Mbatiah.6. Moral Authority of Shona Women’s Battlesongs: Revising Customary Law in the Context of Performance Within African Indigenous Knowledge System—Beauty Vambe.Part II: Diaspora Manifestation7. Battles, Raps, Cappin’, The Dozens: African-American Oral Traditions of Insult—Michele Randolph and Maliek Lewis.8. Black Greek Step Shows—Debra Smith.9. Battle Rap: An Exploration of Competitive Rhyming in Hip Hop —Matthew Oware 10. Fighting Words: Songs of Conflict, Censure, and Cussout in Trinidad and Tobago Carnival—Funso Aiyejina.11. Oral Tradition and Cultures in Dialogue: Ondjango Angolano and Jongo da Serrinha— Tonia Leigh Wind.12. Stanzas and Sticks: Poetic and Physical Challenges in the Afro-Brazilian Culture of the Paraíba Valley, Rio de Janeiro—Matthias RohrigAssuncao.Part III: New Transformations.13. Yabis, A Nigerian Genre of Insult—Enajite Eseoghene Ojaruega. 14. Epistemic Recuperation and Contemporary Reconfiguration of the Verbal Battle Tradition in the Poetry of Tanure Ojaide and Kofi Anyidoho—Mathias IroroOrhero.15. The Creativity of Abuse: Power, Song and the ‘Authority of Insults’ in Zimbabwean Music, Post 2017—Maurice TaonezviVambe.16. Bongo Fleva: Its Lyrics, “Inappropriate” Content, Source, and Possible Harm—Dunlop Ochieng.

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Author Information

Tanure Ojaide is the Frank Porter Graham Professor of Africana Studies at the University of North Carolina at Charlotte, USA. Educated at Ibadan and Syracuse, Tanure Ojaide has published twenty-one collections of poetry, as well as novels, short stories, memoirs, and scholarly work. He has won the ANA Poetry Prize four times: 1988, 1994, 2003, and 2011. His other awards include the Commonwealth Poetry Prize for the Africa Region, the All-Africa Okigbo Prize for Poetry, and the BBC Arts and Africa Poetry Award. In 2016 he won both the African Literature Association’s Folon-Nichols Award for Excellence in Writing and the Nigerian National Order of Merit Award for the Humanities. In 2018 he co-won the Soyinka Prize for Literature in Africa. He has won the National Endowment for the Arts grant, twice the Fulbright, and twice the Carnegie African Diaspora Program fellowship.

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