Overview

"Sure to dazzle your senses and inspire your imagination, A.EYE CANDY presents some deliciously bizarre, intriguing and weird images. It includes a variety of different robots, robots that are creating art, strange and odd imaginary creatures, and abstract ""art-like"" images. This lovely collection will keep you coming back again and again with an increased delight in every viewing. For anyone interested in imaginary robots, robot artists, surreal animals, abstract art, and/or the generative AI revolution, this ""must have"" coffee table book offers an absolute treasure trove."

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9781970164268

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Reviews

"""In this lively book, Corey Anton reminds us that AI can be productively employed to stimulate the imagination. The sophisticated, often goofy (often both) characters are funny, tragic, creative and unique. The 'Imaginary art exhibition' contains kaleidoscopic images which resist definition in the same way that great artworks resist definition. Whether you approach this book as a collection of artworks, or a compendium of AI imagery - A.EYE Candy is an entertaining exploration of the modern hybrid imagination."" --Dom Heffer, Artist (UK) ""In his uniquely brilliant way, Corey Anton has crafted A.EYE Candy to advance both wisdom about the explosion of generative AI and inspiration for its use. By thoughtfully and expertly exploring the potential of AI as its own artistic medium, Anton has brought forth emotionally evocative and appealing imagery, inviting us all to suspend judgment of AI's capabilities and partake in intriguing new ways of creating, seeing and knowing."" --Julianne Newton, Professor of Visual Communication & Director of the Communication and Media Studies Doctoral Program, University of Oregon ""Prepare to go fishing with Corey Anton. In his introduction, Anton advances fishing as a helpful metaphor for the process of tweaking and refining the prompts that reeled in all the gorgeous AI-generated images in this book. And what a museum they comprise: a potent cocktail of whimsy and nightmare fuel. You'll see robots, robot artists, a bestiary beyond human imagining, and abstract spaces where forms struggle to assert themselves. Is it art? With a general semanticist's distrust of the copula of identity, Anton unasks that question, choosing to foreground human intent, which was ""to generate images that are aesthetically pleasing."" Whether you're gazing in wonder at Escher-y scenes, considering an armadillo-tardigrade chimera or puzzling out the Bosch-like forms slithering through less figurative pieces, you're sure to find something that challenges your perceptions in interesting ways. So grab the chum bucket and get ready to experience the rapture of the deep."" --John McDaid, Adjunct Professor, Roger Williams University"

Author Information

Corey Anton is Professor of Communication Studies at Grand Valley State University and a Fellow of the International Communicology Institute. He is author of Selfhood and Authenticity (2001, SUNY Press), Sources of Significance: Worldly Rejuvenation and Neo-Stoic Heroism (2010, Purdue University Press), Communication Uncovered: General Semantics and Media Ecology (2010, IGS Press), and How Non-being Haunts Being: On Possibilities, Morality, and Death Acceptance (2020, Fairleigh Dickinson University Press). He is the editor of Valuation and Media Ecology: Ethics, Morals, and Laws (2010, Hampton Press), and the co-editor, along with Lance Strate, of the collection Korzybski And... (2012, IGS Press), and co-editor, along with Robert K. Logan and Lance Strate, of the collection, Taking Up McLuhan's Cause (2017, Intellect Publishing). Past Editor of the journal Explorations in Media Ecology and Past President of the Media Ecology Association, Anton currently serves as Vice-President of the Institute of General Semantics, and on the editorial boards of The Atlantic Journal of Communication, ETC, New Explorations, and Explorations in Media Ecology.

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