Overview

One of Spain's most celebrated directors, Pedro Almodvar has won international recognition for his dark comedy-dramas like Women on the Verge of a Nervous Breakdown, All About My Mother and Volver. Reconceptualising Almodvar's films as theoretical and political resources, this innovative book examines a neglected aspect of his cinema: its engagement with the traumatic past, with subjective and collective memory, and with the ethical and political meanings that result from this engagement. With close readings of Almodvar's films from the 1990s and 2000s, including Bad Education and The Skin I Live In, Julin Daniel Gutierrez-Albilla explores how Almodvar's cinema mourns and witnesses the traces of trauma, drawing on theoretical approaches from trauma studies, psychoanalysis, philosophy, film studies and visual studies to suggest that his work proposes an ethical model based on our compassionate relations to others, and envisions a world co-inhabited by plurality and difference.

Full Product Details

9781474431675

Table of Contents

Reviews

Brilliant and original work by one of the most intellectually and ethically committed scholars working on Spanish-language film. Guti�rrez-Albilla engages lucidly with, and generously elucidates Derrida, L�vinas, Deleuze and Ettinger to raise questions about the trace of trauma associated with the Franco Regime in recent films by Almod�var.--Professor Jo Evans. UCL

Brilliant and original work by one of the most intellectually and ethically committed scholars working on Spanish-language film. Gutiérrez-Albilla engages lucidly with, and generously elucidates Derrida, Lévinas, Deleuze and Ettinger to raise questions about the trace of trauma associated with the Franco Regime in recent films by Almodóvar.--Professor Jo Evans. UCL

Author Information

Julián Daniel Gutiérrez-Albilla is Associate Professor of Spanish and Portuguese, Comparative Literature and Gender Studies at the University of Southern California. He is the author of Queering Buñuel: Sexual Dissidence and Psychoanalysis in his Mexican and Spanish Cinema (2008), and co-editor with Parvati Nair of Hispanic and Lusophone Women Filmmakers: Theory, Practice and Difference (2013) and with Rob Stone of Companion to Luis Buñuel (2013).

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