Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy

Author:   Alfonsina Scarinzi
Publisher:   Springer
Edition:   2015 ed.
Volume:   73
ISBN:  

9789401793780


Pages:   330
Publication Date:   04 December 2014
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy


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Author:   Alfonsina Scarinzi
Publisher:   Springer
Imprint:   Springer
Edition:   2015 ed.
Volume:   73
Dimensions:   Width: 15.50cm , Height: 2.10cm , Length: 23.50cm
Weight:   6.387kg
ISBN:  

9789401793780


ISBN 10:   9401793786
Pages:   330
Publication Date:   04 December 2014
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Chapter 1 Introduction to a Non-classical View of Meaning-making and Human Cognition: Meaning-making as a Socially Distributed and Embodied Practice.- Part I Embodied Aesthetics: The Anti-Cartesian View and Aesthetics of Life.- Chapter 2 The Aesthetics of Embodied Life.- Chapter 3 Dewey’s Aesthetics of Body-Mind Functioning.- Chapter 4 Corpo-real Cognition: Pragmatist Aesthetics in William James.- Chapter 5 Ecological Embodiment, Tragic Consciousness, and the Aesthetics of Possibility: Creating an Art of Living.- Chapter 6 Emotionally Charged Experience.- Part II Neuroscience, Aesthetics and the Embodied Mind.- Chapter 7 Embodied Aesthetics : Insight from Cognitive Neuroscience of Performing Arts.- Chapter 8 The Aesthetic Stance – On the Conditions and Consequences of Becoming a Beholder.- Part III Art Beyond Art Theory and the Cartesian Mind-Body Dichotomy.- Chapter 9 The Last ‘Touch’ Turns the Artist into a User: The Body, The Mind and The Social Aspect of Art.- Chapter 10 Art that Moves: Exploring the Embodied Basis of Art Representation, Production, and Evaluation.- Chapter 11 The Experience of Literariness: Affective and Narrative Aspects.- Chapter 12 A Qualitative Study of Aesthetic Reflection as Embodied Interpretation.- Part IV Radicalizing the Anti-Cartesian View: Enactivism in Aesthetics.- Chapter 13 Enactive Aesthetics: Philosophical Reflections on Artful Minds.- Chapter 14 Neuroaesthetics as an Enactive Enterprise.- Chapter 15 Aesthetics as an Emotional Activity That Facilitates Sense-making: Towards an Enactive Approach in Aesthetic Experience.- Chapter 16 Enactive Literariness and Aesthetic Experience: from Mental Schemata to Anti-representationalism.- Part V Creating with and for the Embodied Mind.- Chapter 17 Creativity in Digital Fine Art.- Chapter 18 Autopoietic Aesthetics as a Lens for Interactive Art.- Chapter 19 No Neuron Is an Island: a Neuroaesthetic Inquiry into Omer Fast’s Mimetic Interactions.

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