Overview

Although Chinese Marxism - primarily represented by Maoism -is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In this comparative study of European and Chinese Marxist traditions, Liu reveals the extent to which Chinese Marxists incorporate ideas about aesthetics and culture in their theories and practices. In doing so, he constructs an understanding of Chinese Marxism. The book traces the genealogy of aesthetic discourse in both modern China and the West since the era of classical German thought, showing where conceptual modifications and divergences have occurred in the two traditions. He examines the work of Mao Zedong, Lu Xun, Li Zehou, Qu Qiubai, and others in China, and from the West he discusses Kant, Schiller, Schopenhauer, and Marxist theorists including Horkheimer, Adorno, Benjamin and Marcuse. While stressing the diversity of Marxist positions within China as well as in the West, Liu explains how ideas of culture and aesthetics have offered a constructive vision for a post-revolutionary society and have affected a wide field of issues involving the problems of modernity.

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9780822324256

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Reviews

Well-informed, replete with scholarly detail, yet presented in an attractive and engaging manner. It will stand as a pioneering work in the rethinking of the story of Chinese Marxism. --Gregory B. Lee, Universite Jean Moulin A work of depth and brilliance. The principles Liu articulates here will enrich our understanding of other texts in the Chinese cultural tradition. --[PERMISSION PENDING] [edited RR, PP] Wang Fengzhen, Chinese Academy of Social Sciences This book remaps the topography of Marxist aesthetics by highlighting the contributions of Chinese Marxists and Marxist critics, which have been overlooked by Western scholarship. --David D. W. Wang, Columbia University

""Well-informed, replete with scholarly detail, yet presented in an attractive and engaging manner. It will stand as a pioneering work in the rethinking of the story of Chinese Marxism.""--Gregory B. Lee, Universite Jean Moulin ""A work of depth and brilliance. The principles Liu articulates here will enrich our understanding of other texts in the Chinese cultural tradition.""--[PERMISSION PENDING] [edited RR, PP] Wang Fengzhen, Chinese Academy of Social Sciences ""This book remaps the topography of Marxist aesthetics by highlighting the contributions of Chinese Marxists and Marxist critics, which have been overlooked by Western scholarship.""--David D. W. Wang, Columbia University

Author Information

Liu Kang is Associate Professor of Comparative Literature and Chinese at Pennsylvania State University. His books include Demonizing China and Bakhtin’s Dialogism and Cultural Theory.

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