|
|
|||
|
||||
OverviewThe essence of Aeschylus's famous trilogy in a single play that speaks forcefully to today's audiences. In lean, lyrical poetry, Rob Hardy's adaptation highlights all the glory of the original: With a foreword, an introduction, notes, and figures. Called ""masterful"" by Thomas Van Nortwick, professor of classics (emeritus), Oberlin College. Rob Hardy is a Minnesota poet and classicist who has published poems and essays in a wide range of publications. Full Product DetailsAuthor: Rob HardyPublisher: Hero Now Theatre Imprint: Hero Now Theatre Dimensions: Width: 13.30cm , Height: 0.50cm , Length: 20.30cm Weight: 0.113kg ISBN: 9780998788210ISBN 10: 099878821 Pages: 102 Publication Date: 05 July 2019 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Available To Order We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsThe Oresteia by Rob Hardy offered its audience a heady bouquet of new wine drawn from an old wineskin.... [It] has pared down the Oresteia to a manageable two-hour performance.... [and] offers a stripped-down style in which every word counts and immediacy trumps Aeschylean grandeur. Classicists may miss some of their favorite Aeschylean motifs; in the Watchman's speech, for example, there is no 'resting on my elbows like a dog' or 'a woman's hopeful heart, which plans like a man.' At the same time, Hardy has succeeded in producing a script that is evocative and unhurried. Like that of Ted Hughes before him, Hardy's script lingers on his favorite Aeschylean images and teases out their resonances: he expands as much as he telescopes, and he is not shy about introducing ideas and imagery of his own. ""The Oresteia by Rob Hardy offered its audience a heady bouquet of new wine drawn from an old wineskin.... [It] has pared down the Oresteia to a manageable two-hour performance.... [and] offers a stripped-down style in which every word counts and immediacy trumps Aeschylean grandeur. Classicists may miss some of their favorite Aeschylean motifs; in the Watchman's speech, for example, there is no 'resting on my elbows like a dog' or 'a woman's hopeful heart, which plans like a man.' At the same time, Hardy has succeeded in producing a script that is evocative and unhurried. Like that of Ted Hughes before him, Hardy's script lingers on his favorite Aeschylean images and teases out their resonances: he expands as much as he telescopes, and he is not shy about introducing ideas and imagery of his own."" Author InformationTab Content 6Author Website:Countries AvailableAll regions |
||||