Addressing the Other Woman: Textual Correspondences in Feminist Art and Writing
Author:   Kimberly Lamm (Assistant Professor)
Publisher:   Manchester University Press
ISBN:  

9781526182531


Pages:   312
Publication Date:   10 December 2024
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Addressing the Other Woman: Textual Correspondences in Feminist Art and Writing


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Author:   Kimberly Lamm (Assistant Professor)
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 15.60cm , Height: 2.20cm , Length: 23.40cm
Weight:   0.444kg
ISBN:  

9781526182531


ISBN 10:   152618253
Pages:   312
Publication Date:   10 December 2024
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List of figures Introduction: addressing the other woman Part I: Writing the 'I' otherwise: telegraphing black feminism in the work of Adrian Piper and Angela Davis 1 Adrian Piper’s textual address 2 Letters from an imaginary enemy, Angela Davis Part II: Typing the poetry of monsters: Nancy Spero and Valerie Solanas write aggression 3 Writing the drives in Nancy Spero’s Codex Artaud 4 Valerie Solanas’ SCUM Manifesto and the texts of aggression Part III: Hieroglyphs of maternal desire: the collaborative texts of Mary Kelly and Laura Mulvey 5 Rewriting maternal femininity in Mary Kelly’s Post-Partum Document 6 Feminist desires and collective reading in the work of Laura Mulvey Conclusion Bibliography Index -- .

Reviews

'In looking at the decade that occupies a unique place in the ongoing history of the transnational feminist movement, [Lamm has] uncovered hitherto unassessed materials and proposed insightful new readings in the archives of feminism, whilst also presenting us with an archival rearrangement that produces new objects with which to think about art history.' Association for Art History -- .


Author Information

Kimberly Lamm is Associate Professor of Gender, Sexuality, and Feminist Studies at Duke University.

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