Overview

This book gathers together essays written by leading scholars of adaptation studies to explore the full range of practices and issues currently of concern in the field. The chapters demonstrate how content and messaging are shared across an increasing number of platforms, whose interrelationships have become as intriguing as they are complex. Recognizing that a signature feature of contemporary culture is the convergence of different forms of media, the contributors of this book argue that adaptation studies has emerged as a key discipline that, unlike traditional literary and art criticism, is capable of identifying and analyzing the relations between source texts and adaptations created from them. Adaptation scholars have come to understand that these relations not only play out in individual case histories but are also institutional, and this collection shows how adaptation plays a key role in the functioning of cinema, television, art, and print media. The volume is essentialreading for all those interested both in adaptation studies and also in the complex forms of intermediality that define contemporary culture in the 21st century.

Full Product Details

Author:   Julie Grossman ,  R. Barton Palmer
Publisher:   Springer International Publishing AG
Imprint:   Springer International Publishing AG
Edition:   1st ed. 2017
Weight:   4.955kg
ISBN:  

9783319585796

ISBN 10:   3319585797
Pages:   285
Publication Date:   21 December 2017
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"1. Constantine Verevis, “Film Novelization”.- 2. Laurence Raw, ""What Can Adaptation Studies Learn from Fan Studies?"".- 3. Glenn Jellenik, “The Task of the Adaptation Critic”.- 4. Thomas Leitch, “Mind the Gaps”.- 5. R. Barton Palmer, “Continuation, Adaptation Studies, and the Never-Finished Text”.- 6. Kamilla Elliott “Unfilmable Books.”.- 7. Sarah Cardwell, “A Dickensian Feast: Visual Culture and Television Aesthetics”.- 8. Deborah Cartmell, “Star Adaptations: Queen Biopics of the 1930s”.- 9. Jack Boozer, “Between a Sequel and a Market Crash: Wall Street: Money Never Sleeps”.- 10. Christine Geraghty, “Dissolving Media Boundaries: The Interaction of Literature, Film and Television in Tender is the Night (1985)”.- 11. Julie Grossman, “Fargos”.- 12. Mark Osteen, ""Alfred in Wonderland: Hitchcock through the Looking-Glass"" .- 13. Homer B. Pettey, ""Japanese Avant-garde and the moga ('modern girl')"".- 14. Nancy West, “The Worlds of Downton Abbey”."

Reviews

This comprehensive study of Highsmith adaptations covers work from the entirety of the author's career and includes interviews with film directors (among them Wim Wenders) as well as investigating Highsmith adaptations in relation to dualisms, queer cinema, and noir. ... The Palgrave Studies in Adaptation and Visual Culture series already contains many examples of this maxim and provides the opportunity for many more to come. (Peter Lewis, Adaptation, Vol. 13 (1), 2019)

Author Information

R. Barton Palmer is Calhoun Lemon Professor of Literature and Director of the World Cinema program at Clemson University, USA.  Julie Grossman is Professor of English and Communication and Film Studies at Le Moyne College in Syracuse, NY, USA

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions