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OverviewThis book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. Full Product DetailsAuthor: Colleen Kennedy-Karpat , Eric SandbergPublisher: Springer International Publishing AG Imprint: Palgrave Macmillan Edition: Softcover reprint of the original 1st ed. 2017 Weight: 0.454kg ISBN: 9783319850016ISBN 10: 3319850016 Pages: 239 Publication Date: 10 August 2018 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of Contents1. Adaptation and Systems of Cultural Value - Colleen Kennedy-Karpat and Eric Sandberg. 2. Part 1: Adapting Award Winners, Awarding Adaptations - Chapter 2 The Pulitzers Go to Hollywood - Thomas Leitch.- 3. Chapter 3 Beware of Imitations: All About Eve (1950) - Laurence Raw.- 4. Chapter 4 Hilary Mantel’s Wolf Hall(s) and the Circulation of Cultural Prestige - Eric Sandberg.- 5. Chapter 5 Adapting Queerness, Queering Adaptation: Fun Home on Broadway - Joanna Mansbridge.- Part 2: Adaptation, Prestige, and the Canon.- 6. Chapter 6 Oliver’s Auteurs: The Cases of Lean and Polanski - Jeffrey E. Jackson.- 7. Chapter 7 Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha - Priyanjali Sen.- 8. Chapter 8 The Fortunes of Jane Austen as Chick Lit and Chick Flick- Anne-Marie Scholz.- 9. Chapter 9 Jazz, Prestige, and Five Great Gatsby Film Adaptations - Michael Saffle.- 10. Part 3: Locating Prestige - Chapter 10 Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige - Colleen Kennedy-Karpat.- 11. Chapter 11 The Hollywood Remake Massacre: Adaptation, Reception, and Value - Laura Mee.- 12. Chapter 12 “How Do I Act So Well?” The British ‘Shakespearean’ Actor and Cultural Cachet - Anna Blackwell.ReviewsAuthor InformationColleen Kennedy-Karpat is Assistant Professor at Bilkent University, Turkey. Eric Sandberg is Assistant Professor at City University of Hong Kong. Tab Content 6Author Website:Countries AvailableAll regions |
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