The Intellectual Culture of the English Country House, 1500–1700

Author:   Matthew Dimmock ,  Andrew Hadfield ,  Margaret Healy ,  Rebecca Mortimer
Publisher:   Manchester University Press
ISBN:  

9780719090202


Pages:   304
Publication Date:   01 July 2015
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The Intellectual Culture of the English Country House, 1500–1700


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Overview

The intellectual culture of the English country house is a ground-breaking collection of essays by leading and emerging scholars, which uncovers the vibrant intellectual life of early modern provincial England. The essays in the volume explore architectural planning; libraries and book collecting; landscape gardening; interior design; the history of science and scientific experimentation; and the collection of portraits and paintings. The essays demonstrate the significance of the English country house (e.g. Knole House, Castle Howard, Penshurst Place) and its place within larger local cultures that it helped to create and shape. They provide a substantial overview of the country house culture of early modern England and the complicated relationship between the provinces and the national, the country and the city, in a period of rapid social, intellectual and economic transformation. It will appeal to anyone interested in the culture of the country house and its place in early modern England. -- .

Full Product Details

Author:   Matthew Dimmock ,  Andrew Hadfield ,  Margaret Healy ,  Rebecca Mortimer
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 15.60cm , Height: 2.80cm , Length: 23.40cm
Weight:   0.612kg
ISBN:  

9780719090202


ISBN 10:   0719090202
Pages:   304
Publication Date:   01 July 2015
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

'Over the two hundred years covered in this wide-ranging collection of articles, country houses were among the most important centres of literary and cultural activity in England. Their architecture, decoration, and social history have been extensively chronicled by Mark Girouard, Maurice Howard, and others, but their significance for English culture in its wider sense has received less scholarly attention. This engaging collection of short articles goes a long way towards redressing that balance . This well-written, well-edited volume deserves the attention of anyone interested in the art, literature, and wider culture of early modern England. It makes the important point that country houses were not just vehicles for ostentatious display; they could also be settings for creative leisure, or otium as the ancient Romans saw it in contrast to the negotium of the workaday world.' Notes and Queries -- .


Overall, the book does not seek to be a comprehensive look at the intellectual culture of the English country house, yet in the end it delivers a wider-ranging, interesting and multi-disciplinary study that tends to privilege collecting, books, scholarship and material culture. - James Daybell, University of Plymouth, The Spencer Review 47.1.7


'Over the two hundred years covered in this wide-ranging collection of articles, country houses were among the most important centres of literary and cultural activity in England. Their architecture, decoration, and social history have been extensively chronicled by Mark Girouard, Maurice Howard, and others, but their significance for English culture in its wider sense has received less scholarly attention. This engaging collection of short articles goes a long way towards redressing that balance ... This well-written, well-edited volume deserves the attention of anyone interested in the art, literature, and wider culture of early modern England. It makes the important point that country houses were not just vehicles for ostentatious display; they could also be settings for creative leisure, or otium as the ancient Romans saw it in contrast to the negotium of the workaday world.' Notes and Queries -- .


Author Information

Matthew Dimmock is Professor of Early Modern Studies at the University of Sussex Andrew Hadfield is Professor of English at the University of Sussex Margaret Healy is Professor of Literature and Culture at the University of Sussex

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