Acting Egyptian: Theater, Identity, and Political Culture in Cairo, 1869–1930

Author:   Carmen M. K. Gitre
Publisher:   University of Texas Press
ISBN:  

9781477319185


Pages:   192
Publication Date:   12 November 2019
Format:   Hardback
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Acting Egyptian: Theater, Identity, and Political Culture in Cairo, 1869–1930


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Full Product Details

Author:   Carmen M. K. Gitre
Publisher:   University of Texas Press
Imprint:   University of Texas Press
Dimensions:   Width: 15.20cm , Height: 2.30cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9781477319185


ISBN 10:   1477319182
Pages:   192
Publication Date:   12 November 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

Reviews

Acting Egyptian offers a rigorously researched scholarly publication while avoiding the stuffiness of (some) academic writing...Theatre, history, and other humanities scholars interested in performance traditions and identity politics [in] the Middle East and North Africa will find Acting Egyptian especially worthwhile. * Al Jadid * This book is an important addition to a growing body of literature that seeks to elucidate the 'full range' of Egyptian voices, shining light on the cacophonous, bottom-up route by which national culture is contested and refashioned by those with less power...Gitre's concise writing and the scope of her engagement with the extant historiography in framing her intriguing case studies makes Acting Egyptian an innovative introductory text to the formation of Egyptian national identity. * American Historical Review * Gitre writes a rigorous and enjoyable book of social history that points to exciting new avenues for Arabic theatre research...The way that Gitre positions her subjects as both objects of elite imaginations of collective identity and as active agents who trouble these imaginaries owes much to her attention to the slippages and inconsistencies of her archive. This, along with a lively prose style and attentive historical framing, makes Acting Egyptian an easily recommended book of social history, one that anyone interested in global theatre and performance history can learn from. * Theatre Journal *


Acting Egyptian offers a rigorously researched scholarly publication while avoiding the stuffiness of (some) academic writing...Theatre, history, and other humanities scholars interested in performance traditions and identity politics [in] the Middle East and North Africa will find Acting Egyptian especially worthwhile. * Al Jadid *


Acting Egyptian offers a rigorously researched scholarly publication while avoiding the stuffiness of (some) academic writing...Theatre, history, and other humanities scholars interested in performance traditions and identity politics [in] the Middle East and North Africa will find Acting Egyptian especially worthwhile. * Al Jadid * Gitre writes a rigorous and enjoyable book of social history that points to exciting new avenues for Arabic theatre research...The way that Gitre positions her subjects as both objects of elite imaginations of collective identity and as active agents who trouble these imaginaries owes much to her attention to the slippages and inconsistencies of her archive. This, along with a lively prose style and attentive historical framing, makes Acting Egyptian an easily recommended book of social history, one that anyone interested in global theatre and performance history can learn from. * Theatre Journal *


Author Information

Carmen M. K. Gitre is an assistant professor of history at Virginia Tech University. She holds a PhD in history from Rutgers University and previously taught in the international studies and history departments at Seattle University.

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