Overview
This classic reference on musical acoustics and performance practice begins with a brief introduction to the fundamentals of acoustics and the generation of musical sounds. It then discusses the particulars of the sounds made by all the standard instruments in a modern orchestra as well as the human voice, the way in which the sounds made by these instruments are dispersed and how the room into which they are projected affects the sounds.
Full Product Details
Author: Jürgen Meyer ,
Uwe Hansen
Publisher: Springer-Verlag New York Inc.
Imprint: Springer-Verlag New York Inc.
Edition: Fifth Edition 2009
Dimensions:
Width: 15.50cm
, Height: 2.30cm
, Length: 23.50cm
Weight: 0.700kg
ISBN: 9781441918604
ISBN 10: 1441918604
Pages: 446
Publication Date: 25 November 2010
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Paperback
Publisher's Status: Active
Availability: Awaiting stock
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Reviews
From the reviews of the fifth edition: The present book is a translation of the fifth German edition published in 2004. The translator, Uwe Hansen, deserves praise for the quality of his writing in the English language. ... Given the material in this text, orchestral musicians and conductors can ... appreciate how to use any given acoustical space most advantageously and acousticians and architects can optimize the spaces in which musical groups perform. ... The book will certainly benefit all those involved with musical performance. (Leo Beranek, International Journal of Acoustics and Vibration, Vol. 14 (2), 2009) The abundance of easy to understand graphic illustrations help the reader go through the relatively complex subjects. The writing is easy to read ... . The quality and quantity of illustrations (some of them color plates) are exceptional. ... A well written subject index helps find subjects of interest to the reader. There is also a composer-composition index at the end of the book. In summary, this is a highly recommended valuable book for professionals as well as for students interested in musical performance. (Alberto Behar, Noise Control Engineering Journal, Vol. 58 (5), September-October, 2010)
From the reviews of the fifth edition: The present book is a translation of the fifth German edition published in 2004. The translator, Uwe Hansen, deserves praise for the quality of his writing in the English language. ! Given the material in this text, orchestral musicians and conductors can ! appreciate how to use any given acoustical space most advantageously and acousticians and architects can optimize the spaces in which musical groups perform. ! The book will certainly benefit all those involved with musical performance. (Leo Beranek, International Journal of Acoustics and Vibration, Vol. 14 (2), 2009)
Author Information
Honors: Helmholtz-Medal of the German Acoustical Society (DEGA) 2004 Medal of Honor of Verband Deutscher Tonmeister (VDT) 2004 Fellow of the ASA
