Acoustic Interculturalism: Listening to Performance

Author:   Marcus Cheng Chye Tan
Publisher:   Palgrave Macmillan
ISBN:  

9780230354166


Pages:   259
Publication Date:   22 May 2012
Format:   Hardback
Availability:   In Print   Availability explained
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Acoustic Interculturalism: Listening to Performance


Overview

Acoustic Interculturalism is a study of the soundscapes of intercultural performance through the examination of sound's performativity. Employing an interdisciplinary approach, the book examines an akoumenological reception of sound to postulate the need for an acoustic knowing – an awareness of how sound shapes the intercultural experience.

Full Product Details

Author:   Marcus Cheng Chye Tan
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 2.00cm , Length: 21.60cm
Weight:   0.470kg
ISBN:  

9780230354166


ISBN 10:   0230354165
Pages:   259
Publication Date:   22 May 2012
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

Marcus Cheng Chye Tan's compelling book, Acoustic Interculturalism , is a necessary reminder that too often we hear but don't listen. Noting the general lack of attention to sound in theatre and performance studies, Tan advocates the merits of deep listening and a phenomenological approach to sound as a means of analyzing intercultural performance... a vital challenge to theatre and performance studies with relevance to all forms of cultural expression engaging with the acoustic. - David Butler, New Theatre Quarterly


Author Information

MARCUS TAN has just completed his doctoral degree at Trinity College Dublin. He has published several essays on intercultural performance, music and Shakespeare, and the intermediality of film and computer games. He is also the winner of the Theatre and Performance Research Association's (TaPRA) postgraduate essay competition (2010).

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